Connection - No Give For Connection

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00:02
One of the hard things about tango is that the difference between doing it
00:06
amazingly well and being like meh is maybe this big.
00:12
One of the 75 hard things about tango.
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Okay, so there are many hard things.
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And right now, if we talk about lead follow, I'm going to show you, I'm going to
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call it a mediocre lead and a good lead.
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So if we zoom out, and then we'll zoom in so you can see the difference.
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So here is a mediocre lead,
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and then here's a good lead.
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And I can feel a big difference between those two.
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So it feels massively different.
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It does.
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And probably if you look at it, it's like, so what? What just happened?
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And so if you look at our arms, let me go up just a bit higher, and the
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relationship of the arm to the body. Oh, sorry, I went too far.
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Zoom out a bit. All right. So look at the relationship of my shoulder, my elbow,
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and the line of my torso. Even the elbow and the line of my torso.
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The good
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is like that. And you'll see that this
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isn't moving on me or
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on her. Right? That the body moves, the arms don't move, for
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now. Now, on the other hand, here's the mediocre.
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Only yours or both of ours?
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Just mine. So here, my body moved forward, my elbow barely moved. Do you see that?
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That my elbow is going back in space, my body goes forward.
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I'd do this if I didn't want her to move.
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That's extremely common.
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But if I do a little bit of it, right there I did a little bit.
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The elbow didn't move, the body did.
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That's me saying, "I'm going to go," but not communicating it through to her
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through my hands. This is the wrong, here's the right.
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Show the real wrong now.
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Here's the big wrong.
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Little wrong, I mean.
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Oh.
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Littler wrong than that.
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Oh, yeah. So what people usually do is this.
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And then what the follower does is figure out what he wants and try to do it, which
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is not true lead follow.
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So in slow motion, the little wrong is that.
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You see that little bit of movement in my elbow at the beginning.
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Now, here's the correct.
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And that lets us be crazy together, which is the fun thing.
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And you see this all over the place. So you'll see this on the side step.
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The leaders will do this, and they'll leave their arm behind.
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So I'm going to do a mediocre side step.
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If you look at my right hand,
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I want you to notice that my body is moving ahead of my arm.
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But follow, but late, like what people would really do. Right?
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And so she arrives after me because I'm not bringing her with this hand.
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And it makes it impossible for us to be completely together.
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And here's the correct version. Right here, the arm is moving with the body.
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Here-
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You know what? Show the legs for that.
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Oh, it's here. Whoops. There we go.
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So here's the correct.
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Here's the incorrect. But no-
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Okay.
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Just follow the way people follow. Don't do that thing.
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Okay.
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I don't know when you're going to move.
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Okay. Well, it proves it doesn't work. It proves that method doesn't work.
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Let's try. I'll try it. I'll watch.
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Okay, but it's clearly not as profoundly together is the point.
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And so if you watch this on a side step as a leader,
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most leaders when they begin to go, they don't have, I'm going to call it,
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conviction. They're not taking their body through this right arm on that side step.
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And so instead, what happens is a little bit that, where this hand stays behind a
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little bit, and then that makes the lead unclear.
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Or when they move forward,
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they do a little bit this rather than this, where they take their body through
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their hands.
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When
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I see leaders doing that, I'll lead them, and I'll tell them what I'm going to do
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so they don't feel nervous. And I'll show them the suboptimal, which is very...
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Could you put it a little... Try a little bit like this.
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Down?
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Yes, please. Thank you. That's good.
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So I'll show them the suboptimal, which is almost never what David did.
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It's usually this. Just this little bit of opening of the
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shoulder. And then I'll show them the optimal.
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And it's always very dramatic to the leaders how much better the optimal feels to
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the follower. Sometimes.
Series:
Connection
Tags:
Connection, Follow, Lead