Ganchos, Boleos and Kicks - Intermediate - Linear Boleo

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Just a reminder when you're doing all these crazy kicks, especially when you're kicking away from yourself, for both leaders and followers, watch to see who's at the end of your foot.

Artist Name:
Zigatango
Song Title:
La Cumparsita
Album Title:
Zigatango

From cd baby writeup: Zigatango reworks Argentinean tango and traditional Gypsy music with a rare youthful flair exposing a burning intensity of emotion, often combined with a wild, almost demonic energy.

00:05
A linear boleo is like any other except
it’s in a line.
00:12
So as you do the boleo, for the leaders
it’s the same lead.
00:18
I give her momentum and then I stop it.
00:21
You’ll notice my right leg, I’m keeping it back
like an anchor.
00:23
If I’m teaching this particular linear boleo, it’s side, change.
00:27
So we have side, he changes weight,
she doesn’t.
00:29
We go and then here I’m going to
plow forward and then stop.
00:37
And the plow forward gives her so much momentum
that the leg keeps going…
00:41
...and then I stop and I stop the body,
but the leg keeps going.
00:45
Another angle.
00:55
Whatever it is.
00:56
For the followers as you do this, you go side, back,
make sure he doesn’t hit his partner.
01:07
The leader would send you back.
01:09
You’ll notice I’ll back with the thigh first.
01:11
One more time.
01:12
I go back with the thigh first and then it hits.
Same pop at the top.
01:18
Also there’s a little bit of counter balance
so I’m going to exaggerate that counter balance...
01:22
..just to make the point.
You probably won't do this much.
01:26
In slow motion, here’s that really pull just so they see.
01:31
So you see she’s not on her own axis...
01:33
..it’s a tiny hair behind and then it comes back.
01:40
That worked.
01:36
She’s like “David, you didn’t tell me
you’re going to let go of that hand.”
01:43
For the followers when you do this,
there’s this horrible battle between...
01:48
..the goal of reaching far and the goal of
keeping your thighs tight.
01:52
So if I show it to this camera,
if you watch my thighs and I go back…
01:57
..it’s harder to reach far
if your thighs are tight like this.
02:01
My hips are down, right.
02:02
So if I keep my back straight and my thighs tight,
that’s all I can go.
02:07
If I turn out and I cheat in my back,
I can really go far...
02:10
...but you see the cheating in the back...
02:12
..and the openness in the thighs
and I don’t have a great answer.
02:17
So I’m going to say, if it’s a performance
and you want to be really big…
02:20
..I give you permission to cheat a little bit in your thighs
and a little bit in your back.
02:24
And if you want to be pure and whole
in the body...
02:27
...and to not compromise your sense of integrity of
wholeness and art and whatever I’m going on..
02:35
..then I want you to really keep the back straight
and keep the thighs closed.
02:41
Showing one more time.
02:45
Two more times.
02:58
And just as a bonus, I’m going to show
but not do...
03:02
Sorry, I’m going to show but not teach.
03:11
Same thing, one more step,
with the leader turning back just for fun.