Milonga Introductory Vocabulary - Linear Steps and Weight Changes

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  • This should be the main component of your milonga.
  • It's very easy for it to look like you're just shuffling around aimlessly.
  • Keep in mind that each one of these steps becomes very clearly defined - that your steps don't veer off 5 degrees. When you change weight in place, your feet really are exactly together. And, if they are not, make sure this is on purpose.
  • One way you can work on this precision on your own is to use a board as a guide wire.
  • Alternatively, you can have a friend watch. We emphasize getting this feedback, because it's really common for people to think they are doing one thing and actually be doing something subtly different than their intent.
Artist Name:
Electrocutango
Song Title:
Retrolonga
Album Title:
Felino
Artist Website:
http://www.indris.net/electrocutango

(From the website): Sverre Indris Joner, a creative remarkable tanguista, has with Electrocutango obtained a solid, irreproachable and refined version of new tango in this 21st century. This admirable Norwegian pianist, composer, arranger and director demonstrates that the tango still can keep its youthful aesthetic and challenging courage like in the old times.

00:05
So one of the really cool things about me long
00:06
is that you don't have to do a lot.
00:08
I remember when I was first learning salsa
00:09
and then later on we were doing bachata.
00:11
I was so relieved as a beginning leader to do bachata
00:14
because you didn't really do anything.
00:15
And uh, that's sort of like, uh, this chapter where really
00:19
to do me longa, all you need to do is walk forward,
00:21
back inside, and change weight.
00:23
Actually, that's true of tango too, but
00:24
Yeah, that's true of tango too,
00:25
but it's even more true of me.
00:26
Longa. Yeah. So we're gonna do a brief demo
00:28
and then we'll talk about it,
00:36
and then the music ends.
00:38
It'll come back
00:51
and you'll see that what we're doing is we're walking side
00:54
and changing,
01:01
walking forward and changing
01:03
or going back change, forward change.
01:05
But they're all, uh,
01:07
so I'm gonna call it linear steps, right?
01:09
I can go side or side or side or change or change.
01:14
And so you can almost get a, a six-sided dye rolling.
01:17
You're gonna say what direction?
01:18
I'm gonna go forward or back
01:19
or side. And then eventually weight
01:21
Change. That doesn't come to
01:22
six. Well,
01:24
Well, you can't weight change maybe more than once.
01:28
I don't know if this analogy is working. You get
01:31
A four sided die, a gaming store, oh, there we go.
01:34
And you row it and it says forward.
01:36
And so you go forward for a while and then do some changes,
01:39
and you go side and maybe change, or maybe it says back
01:45
and change, but you as leaders,
01:46
you don't wanna go back too often, um,
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because you'll go back, back against line of dance.
01:49
So at most one step.
01:54
So if I go back, I would usually always
01:56
change weight immediately.
02:01
And so this look very varied.
02:02
And the, the, the trick as we do this
02:05
is how I say this.
02:08
If you have to think about it, it's too late
02:09
because the music bam, is fast. It's fast,
02:12
But it not only looks very, it feels fun.
02:15
So this is really more
02:16
of a demo than explicit instructions.
02:18
But I'm gonna give you homework.
02:19
And in your homework for the leaders, I want you
02:22
to think about just one combination.
02:26
Go side change, side change, side change
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or go forward, forward, change back,
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change forward or whatever.
02:32
You know, just some steps and then some weight changes.
02:35
And for the followers, uh,
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you unfortunately the followers, you need a partner for this.
02:40
You, I want your leader just to, uh, grab your hand here.
02:43
She's my leader right now and she's gonna pull me
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and I just sort of push or take me in any direction.
02:51
Gee, moving David around is fun.
02:56
So on that note, We.