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Đôi thời gian và traspie - A Couple Of Traspie Examples

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Some people find the syncopation of traspie confusing and hard to understand. If it feels like a foreign concept, practicing it slowly can help. Drill just saying the rhythm. Often, the problem with the execution is that it's not a rhythm you're used to doing, so you have to get it in your bones. And saying the rhythm helps.

But some things are just inexplicable:

The Inexplicable

Tên nghệ sĩ:
Q Tango
Tên bài hát:
El Lloron
Tiêu đề album:
Live Four Q Tango
Trang nghệ sĩ:

From website: Created in July, 2009 by Erskine Maytorena, a third generation tango musician and opera singer, QTANGO performs authentic Argentine tango arrangements throughout the southwest, with multiple tours including appearances in Los Angeles, San Francisco, Sacramento, San Diego, Tucson, Sedona, Las Vegas, El Paso, Santa Fe and Albuqeurque. Specializing in the traditional tango music of the "Golden Age" of the great Argentine tango orchestras, QTANGO's dynamic and powerful music keeps dancers on the floor and listeners enthralled. Every song is a novella; a story of love, betrayal, desperation and hope. QTANGO's musicians give the audience a unique and intimate experience, an acoustic resonance only an orchestra can provide, a journey into the romance, passion and elegance of tango. Whether touring as a quartet or performing gala events with over 14 musicians, every performance is sophisticated, engaging, nostalgic, and moving.

So, that's combination number one.
In slow motion, because the fast motion is a hard way to learn,
We have zero to start, and, so, our zero's going to be either a weight change, or a side step.
So, we have prep, and then we're into it.
We've got: outside, in-line... side, together, side, together. And then repeats.
Outside, in-line; I'm going to turn it so we stay in camera; side, together, side, together.
So, for the leaders, let's see, let's do this way to the foot camera.
We have: side, outside, in-line. So you see that my foot's right here, next to her foot, to keep her from crossing.
And then, for this side, together, side, together.
And you notice those a faster, because that's the traspie, pa-pa, pa-pa.
In my upper body, I'm going to almost throw and catch, to get that weight change.
So, in the upper body, it's: pa-ah, pa-ah, and onward. So, one more time.
*David vocalizes*
OK? So, there's combination number one. Combination number two, I call the conga line.
Yeah, it is like a conga line.
Which is...
*David vocalizes*
It's the "bup" that's the traspie.
Actually, as I think about it, I was doing double-time, rather then a traspie. Let me do that again, as traspie.
Conga line:
This is what David calls the conga line.
So, it's *David vocalizes*
So, there's your traspie. And it's same thing on both sides. We've got, for the leaders,
You have: *David vocalizes*. And then it just repeats.
Do a ton of the side steps, with your back to the camera. I think that looks really cool.
So, for example, if we do combination number one,
But do like...
Yeah, yeah, got it.
D: And then we go off camera.
N: Ha!