Từ vựng - Lấy 2 - Các nhà lãnh đạo - Freno
Nancy đã đi qua một vài nhà lãnh đạo trung gian, những người thực sự thích frenos vì họ không phải là khó khăn để có được vào và sau đó các nhà lãnh đạo có thể có một khoảng thời gian còn lại, trong khi người theo tôn tạo embellishes.
Chúng tôi tìm thấy một số điều không tối ưu về thái độ này. Mong đợi của tôn tạo tinh tế khuyến khích những người đi theo để đi trước và làm điều của mình và lấy năng lượng đi từ kết nối trong khiêu vũ. Cũng giống như vậy, đây không chỉ là nơi nghỉ ngơi của nhà lãnh đạo. Chúng tôi cảm thấy lãnh đạo cần phải tích cực tham gia với người theo đuổi trong khi người theo đuổi là trang trí. Trong lớp học, chúng tôi nói rằng công việc của nhà lãnh đạo là nhìn mê hoặc.
- Tên nghệ sĩ:
- Pablo Banchero
- Tên bài hát:
- Boca Juniors
- Tiêu đề album:
- Tangos Nuevos - Modales y Finura
- Trang nghệ sĩ:
- https://www.facebook.com/pablo.banchero.5
Một trong những ca sĩ yêu thích của chúng ta trong thời hiện đại.
- 00:04
- In this chapter, it’s almost amusing because...
- 00:07
- ..we’re doing one of the easiest of the moves
in Argentine tango,... - 00:11
- ..which is a dance that doesn’t have
a lot of easy moves. - 00:13
- And it has actually a lot of detail technique.
It all does. - 00:19
- But I’ve come up actually more
to talk about here than in others. - 00:23
- But I want you to take this as an indication of
how much profound good stuff... - 00:27
- ..there is in everything.
- 00:30
- So to start with, when we do this freno
usually I go to the outside foot. - 00:36
- But I can actually go to either place.
- 00:38
- So we can go side, freno where I trap her
and pivot her in… - 00:42
- ..or I can do side, freno where I am outside
and then I pivot her in. - 00:47
- Which is what you taught before right?
- 00:48
- Which is what we taught before.
- 00:49
- And the two different places have
different feelings. - 00:52
- So if I do inside here and then, as I pivot,
you’ll notice that with my right foot... - 00:58
- ..I’m going to draw it in and turn it out,
in and turn out. - 01:05
- And that actually ends with her closer to me,
so that’s one feeling. - 01:11
- Actually both end up with her close to me.
- 01:14
- If I do the other side of her foot,
I can go here and pivot her... - 01:17
- ..and I may even go a little further
so my foot hooks around. - 01:20
- Now the second thing is that as I pivot her,
I’m going to be aware of it being motivated... - 01:25
- ..from the pull of my right hip backwards.
- 01:27
- That’s an important one,
otherwise you can knock me over. - 01:30
- D: I would never do such a thing.
N: I know. - 01:33
- So, as we’re here, you'll see that I pivot her
by pulling myself back. - 01:36
- And not only does this back hip go -
right hip go back… - 01:40
- ..but it keeps my body facing her...
- 01:42
- Because if the right hip goes forward,
that tends to turn me away from her. - 01:45
- Whereas, if the right hip goes back,
that tends to turn me towards her. - 01:50
- After that, it’s custom that you’re going to wait for her to walk over.
- 01:55
- And in a later video we'll show you
tons of things that... - 01:57
- ..the women can do when they walk over.
- 01:59
- However, some women don’t know the custom.
- 02:02
- And so they just wait for you, say,
“Okay I’m standing here. Now what?” - 02:05
- And if that’s the case, you have a very soft, subtle,
upward and forward lift... - 02:10
- ..with both the back hand and the front hand.
- 02:12
- And that will encourage her to walk over
without being overbearing. - 02:19
- Now after she shifts forward,
the foot placement of this foot right here... - 02:24
- ..is going to determine
how far apart you are. - 02:26
- So if I shift my foot here and it’s way out here,
we’ll end up pretty far. - 02:32
- Hi, we’re in the far corner.
- 02:34
- However if after she walks forward - okay,
she already did walk forward. - 02:38
- If I shift my foot right here,
we’ll end up pretty close. - 02:44
- So I want you to be aware of the way your right foot -
- 02:47
- ...the placement after the shift determines
the distance. - 02:49
- And the final final thing, as she hits the freno...
- 02:52
- ..I want you to be aware that you can
also block her from walking over. - 02:56
- So as we’re here, if I put my leg here
where my thigh's really out… - 02:59
- ..she can’t move her thigh over.
- 03:01
- I have to really work at it.
- 03:03
- So I’ve stopped her from walking over.
- 03:05
- And then if I pull my right hip back and
lower my leg now there’s lot’s of room. - 03:10
- So you can block her as well as encouraging her.
