- Tên nghệ sĩ:
- Viviane
- Tên bài hát:
- Confidencias De Minha Rua
- Tiêu đề album:
- Viviane
- Trang nghệ sĩ:
- http://www.viviane.com.pt/biografia
(Từ trang web được dịch google): Ở dạng âm thanh, một phép biện chứng phong phú giữa các ngôn ngữ phổ quát của Fado, Tango. Guitar tiếng Bồ Đào Nha và accordian là những ghi chú chi phối.
- 00:05
- So, I would like to make a distinction, now, between what I'm going to call styling and embellishments.
- 00:10
- D: So, an embellishment is when you take a step, and then you add all these movements...
N: Little twiddles.
D: And twiddles around the step.
- 00:18
- And styling is more about how you do the step.
- 00:21
- And nine times out of ten... No, eight times out of ten.
- 00:24
- If you want to do an embellishment, probably it would be better to just style the step more.
- 00:29
- So, so that it's easy to see, I'm going to do a basic, and once, I'm going to embellish the heck out of it. Too much.
- 00:34
- And then, I'm going to style the heck out of it, too much. So you can see what I mean by the difference.
- 00:39
- D: I'm going to be the follower.
N: Gurr!
D: Gurr.
- 00:55
- D: Right, right. Yeah, Yeah.
N: That was crazy.
D: Styling... Way too much. For embellishment.
N: That was way too much embellishment.
- 01:00
- D: Way too many embellishments.
N: Now, here's way too much styling. It's probably going to look pretty silly, too.
- 01:04
- I hope the other one looked silly. He probably did them really well, and that's a problem.
- 01:22
- Now, once again, that's, sort of, exaggerating. "All this body motion".
- 01:25
- But, ladies, really, as you do this...
- 01:30
- Let's say I want to make something fancy. And the movement is this.
- 01:34
- Well, you can do, like, "Bang! Ah". Or, you can do, "Ahh". Where you have all this extra movement in your body.
- 01:46
- And so, in general... Realize that the body is more meaningful than the limbs.
- 01:52
- N: That's a very good point.
D: And, if I do... If I say to her, "I love you".
- 02:00
- N: Ha-ha!
D: That's not convincing. Because it's just my arms doing this, and my body is doing nothing.
- 02:04
- So, I say, "I love you", and then I ??> and move my arms up and down - it means nothing.
- 02:08
- And, if I'm here, and I say, "I love you"...
- 02:12
- And then that means a lot more. Because my body is doing it. Even though the movement is less.
- 02:17
- So, the same thing is true of embellishments or styling.
- 02:21
- So, as I... Actually, as she follows.
- 02:25
- You'll see, that on the side step, we can go, "Ahh".
- 02:32
- Here, we can have this moment of... stillness. And then, we move. And then, we go on.
- 02:41
- So, I want you to think, as you're dancing, can you add small movement, a subtle interpretation?
- 02:46
- "Dam-ha-rey-da-da-dam", in your body. To... To make it more textured and real.