Đền bù cho đối tác của bạn - Anh ta không có chì

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Chúng tôi có thể cung cấp cho bạn rất nhiều kỹ thuật cho phép bạn dẫn dắt hoặc theo đuổi hoặc nhảy tốt khi đối mặt với hiệu suất tối ưu kém của đối tác. Nhưng chúng tôi muốn nhắc nhở bạn rằng khiêu vũ với một ai đó là chia sẻ một vài phút về tình trạng con người với họ. Và đó là về việc ở cùng với họ ngay cả khi bạn phải thực hành những kỹ thuật này chỉ để sống sót khiêu vũ.

Vì vậy, chúng tôi khuyên bạn nên sử dụng các kỹ thuật đối phó này mà không cần cho phép họ tiếp nhận trải nghiệm khiêu vũ của bạn. Hãy nghĩ về chúng như một công cụ cũng như việc thực hiện đúng ocho là một công cụ là một phần của những gì cho phép bạn chia sẻ kinh nghiệm (hy vọng tích cực) với người phối ngẫu của bạn.

Tên nghệ sĩ:
Tanghetto
Tên bài hát:
Alexanderplatz Tango
Tiêu đề album:
Emigrante (Electrotango)
Trang nghệ sĩ:
http://www.tanghetto.com/

(Từ Wikipedia): Tanghetto là một nhóm nhạc có trụ sở tại Buenos Aires, Argentina, và là một trong những người quan trọng nhất trong cảnh tang lễ tân. Phong cách của Tanghetto là sự kết hợp giữa tango và nhạc điện tử.

00:05
Sometimes, the leader... You're dancing with a guy, and he doesn't give you anything in terms of the lead.
00:10
His arms are just all soft, and he's, kind of, moving his body in different ways. Then, what do you do?
00:16
And, really, the answer is that, the less he has, in terms of his body, - the more you have to have.
00:22
So, you tighten up your core. And you stand really tall. And then, you connect yourself to your partner.
00:29
And, as long as your arms don't give, it doesn't really matter what he does. You can follow his body.
00:35
So, you just, kind of, aim with your chest at his middle of his chest. And you stay facing him. No matter what he does.
00:43
Like this.
00:44
N: Can you do the bad?
D: Sure. OK.
00:51
Oh, boy.
00:54
D: This is like the psychic lead... My arms are all nothing.
N: So, this is pretty bad.
01:02
And, at this point, if he's this bad, you don't even worry too much about...
01:07
If you can guess what he wants, then you give it to him. If you can't, you just stay in front of him, and stay connected.
01:14
And, I mean, there's also this, sort of, philosophical thing.
01:17
So, do you follow what he led, or do you follow what he wants?
01:21
D: And...
N: It's an interesting question.
D: Yeah. And...
01:24
And my instinct, is to say,
01:26
That, when it's more about learning, let's say, class, or practice, or something, - you should follow exactly what he leads.
01:31
N: Right. He needs the feedback.
D: And that, if it's...
01:33
And that, if it's a social event, - you, sort of, compromise.
01:36
So, you don't only do what he wants. But, you also don't only do what he led, if he's really bad.
01:39
'Cause then, nothing goes well. And so you find some place in the middle.
01:43
Well, that's assuming that you know what he wants.
01:45
So, if he doesn't have any idea what he wants, maybe you can still recognize the step.
01:49
And, if you're dancing socially, and you recognize the step - do the step.
01:52
Even, though, that's not... He's not leading clearly.
01:56
If you don't know what it is that he is wanting to want, then just stay connected with him and, kind of, follow him around the floor.
02:04
But, from a technical perspective,
02:07
The advantage is that, on this side of my body, as a leader, you can connect yourself to his torso.
02:14
So, for the followers, when leaders are not good, then, oftentimes, that means that their arms aren't giving you any useful information.
02:22
Right.
02:22
So, for example, they're saying, "Oh, I want you to do all this stuff." Or, maybe, they're not giving you anything.
02:28
N: But, they'll be saying that with - you'll be like this.
D: Right. But, see, with the way that you can hold their upper arm, well that connects you to their body.
02:36
And so, for example, if their upper body moves, you'll be able to feel that. Even though their arms are doing all this stupid stuff.
02:42
No insult, guys.
02:43
So, I want you to think that you can use this to connect your body to his body.
02:49
Because, he's... You have to do it, because he's not doing it for you.
02:52
There are a lot of circumstances where I advise, "You hold on for dear life, right here." And that helps a lot. And this is one of them.
03:02
So, wave this arm around.
03:08
Yeah. Well, that's... But, I can still dance with him. Based on this one hand.