-----宋1 -----
艺人名称：
Mandragora探戈
歌名：
La Ultima Cita
专辑标题：
我们来吃晚餐去跳舞
艺术家网站：
http://www.mandragoratango.com/
从网站：MandrágoraTango是由Bandoneonist Bob Barnes和吉他手Scott Mateo Davies率领的探戈乐队，他是两位对探戈狂热的明尼阿波利斯音乐家。自2001年以来，我们一直在跳舞和听音乐，我们仍然坚强。我们在美国的40多个城市玩过。 p>
-----宋2 -----
艺人名称：
三重加鲁法
歌名：
马莱娜
专辑标题：
El Rumor De Tus Tangos
艺术家网站：
http://www.triogarufa.com/
从网站：Trio Garufa是一个国际合奏，致力于表演正宗的阿根廷音乐。他们在阿根廷，加拿大和美国都有演出。 Trio Garufa执行传统的阿根廷探戈，现代探戈风格，如Astor Piazzolla的音乐或电子探戈，原创探戈作品和阿根廷民间音乐。他们的音乐是令人激动，精湛的，植根于舞蹈。他们是美国唯一在布宜诺斯艾利斯的米兰（探戈舞蹈俱乐部）广泛演出的探戈组合。该组包括吉列尔莫·加西亚，吉他（阿根廷），阿德里安·杰斯特，波兰尼根（瑞士）和萨斯卡·雅各布森（Sascha Jacobsen），弦乐贝斯（加利福尼亚）。
- 00:06
- In theory, this piece of the cadena should be easy…
- 00:10
- ..because it’s exactly the same as the first piece,
except that we switch roles.
- 00:16
- But, for some reason, over and over,
we found that to be extremely confusing.
- 00:19
- Also I think the lead, so the man - the leader now is going to…
- 00:24
- ..lead the follower to step right through him.
- 00:26
- And, for one thing, it’s counterintuitive to
step right through anybody…
- 00:30
- ..and for another thing, he’s then leading something…
- 00:32
- ..and he has to get out of the way,
while he does it.
- 00:34
- So I guess I talked myself into believing
it’s really not so straightforward.
- 00:38
- Anyway, we do exactly the opposite for the first piece
and then we end it with a drag.
- 00:47
- Side he changes here, as I’ll go back, I'll go forward...
- 00:50
- ..and I’ll make the 'J' around in front of her path.
- 00:53
- And I’ll walk right through his thigh with my left thigh.
- 00:56
- Same thing, another angle.
- 01:04
- You see how I get out of the way,
so she can go through me.
- 01:07
- N: And then I step aside.
D: I'll tuck.
- 01:09
- And he steps tiny forward.
- 01:13
- And then he goes the same direction.
- 01:16
- I’ll go - ending forward, her going back.
- 01:18
- One more time.
- 01:26
- I don’t know if they can see the drag there.
- 01:27
- Well they saw the prep, they saw.
N. Okay
- 01:31
- Now let’s give it a small angle.
- 01:34
- So it'll start.
- 01:36
- Side, he changes, I go around,
she goes through me, I change, she goes side…
- 01:39
- ..pivot for her, back left, I’m going forward left, catch…
- 01:43
- ..and then I can drag her and I’ll just bring her up.
- 01:46
- And then we can exit.
- 01:49
- Can we do it from a different angle?
- 01:50
- That’s a great angle.
- 01:51
- Oh, I knew that. Okay good.
- 01:54
- But we can do it from this angle too.
- 01:58
- No we can’t.
- 02:00
- So we can do it from this angle.
- 02:02
- Different angle, here.
- 02:08
- This is a great angle too.
- 02:09
- Yeah, I like this angle.
- 02:15
- Notice how fast and tight I am on the catch…
- 02:18
- ..because I try not for there to be
too long a pause. I want it to flow…
- 02:22
- ..which, of course, makes it harder.
- 02:23
- What else would David want it?
It to be harder!
- 02:25
- But if I’m doing the leader’s footwork, side, he changes…
- 02:28
- ..I go back and around, here I go,
step, around, catch to grab it.
- 02:34
- For the followers, you have side...
- 02:38
- ..really believe you’re going to go
forward through him.
- 02:40
- Believe it, believe it.
- 02:41
- And then side around to your drag.
- 02:44
- It’s interesting because if we ask our
women in class...
- 02:47
- ..to do something kind of aggressive,
straight through to the man,...
- 02:49
- ..or walking straight through,
it’s usually not a problem.
- 02:52
- But this particular step, for some reason, is
so counterintuitive for the followers…
- 02:56
- ..we want to hit the upper thigh, with our upper thigh.
- 03:01
- And what happens a lot of times,
lead me in that again…
- 03:04
- Let’s ... so that they can see.
- 03:06
- When he steps around, instead of walking right into him…
- 03:10
- I walk, or the follower will walk, over here,
keeping this close to step over his foot...
- 03:15
- ..and then the whole thing disintegrates.
- 03:19
- And for the leaders, when you’re leading this,
especially when you’re asking her to walk into you...
- 03:23
- ..be very clear of the direction.
- 03:26
- So I’m going to say to her, "Go that way."
- 03:29
- That’s good, do it again.
- 03:30
- So I get out of the way,
but I make sure her track stays the same...
- 03:34
- ..so she goes through me.
- 03:35
- Showing one last time.
