- アーティスト名:
- Q Tango
- 曲名:
- Malena
- アルバムタイトル:
- Live Four Q Tango
- アーティストウェブサイト:
- http://www.qtango.com
2009年7月、第3世代のタンゴミュージシャンでありオペラ歌手のアースキン・メイトレアが2009年7月に創作したQTANGOは、ロサンゼルス、サンフランシスコ、サクラメント、サンディエゴ、ツーソン、セドナ、ラスベガス、エルパソ、サンタフェ、Albuqeurque。偉大なアルゼンチンタンゴオーケストラの「黄金時代」の伝統的なタンゴ・ミュージックを専門とするQTANGOのダイナミックでパワフルな音楽は、ダンサーを床に抱かせ、リスナーを魅了します。すべての曲は小説です。愛、裏切り、絶望と希望の物語。 QTANGOのミュージシャンは、オーケストラだけが提供できる音響共鳴、タンゴのロマンス、情熱、エレガンスへの旅を、聴衆に独特で親密な体験を提供します。カルテットとしてのツアーでも、14人以上のミュージシャンとのガライベントの演奏でも、すべてのパフォーマンスは洗練され、魅力的で、懐かしく、動いています。
- 00:04
- This is Malakai and Jessica. They are very beloved students of ours. Malakai's been studying with us for about three years,
- 00:11
- And he's an amazing choreographer already. Pretty soon, well, relatively soon, I hope to be able to have a video
- 00:18
- Of a dance that he choreographed on our website. Or, even more.
- 00:21
- Jessica has been studying with us for about two years. And, just wait 'til you see how she moves. I'm so proud of them.
- 00:29
- They're going to do a series for us that talks about using touch to communicate. And experience.
- 00:36
- And the first one is titled "Raw Sexuality". There are differences in the way you touch
- 00:41
- When you want to communicate sex, or you want to communicate tenderness.
- 00:45
- D: And let me add one comment. When we say raw sexuality, we mean this in a tango context.
N: Of course.
D: Just saying.
- 00:52
- So, with that, please, come.
- 00:56
- So, if they embrace each other and start to ooze. So, you can two can start to ooze.
- 01:04
- So, what are things? First thing you notice, one thing I notice, is you see the face comes closer. And they,
- 01:09
- I want to say, they're, sort of, deliberately into each other's space.
- 01:12
- If you look at the hands, there's more pressure. There's consciousness. There's activeness.
- 01:18
- The direction of the pressure is inward. So, if... If you guys do a little more?
- 01:25
- So, first off, we said, we wanted to create this thing that looks like raw sexuality.
- 01:30
- And what we ended up with is they're trying to do something.
- 01:33
- So then, I said, "Well, just do what you do. And let's see what it looks like". And this is what we got.
- 01:41
- In terms of the pressure, the pressure is towards the body.
- 01:44
- The muscles tighten a little bit. But the sense is that you feel it in your own body. And you project that to the other person.
- 01:50
- So, if you separate for a second. Oh, darn. So, if you separate for a second,
- 01:56
- Can you, Malakai, do that just inside your own body? No, Jessica. He's like, "That's not nearly as fun".
- 02:03
- N: Not very well.
D: Not very well, He's like, "no, not the same."
- 02:07
- It's this particular beautiful woman in front of him.
- 02:10
- Alright. So, I'm going to run in. And I'm going to pretend to do it by myself.
- 02:15
- N: Can you do it by yourself?
D: Sure. And, forgive the microphone, if you hear it rustling.
- 02:26
- And, there's a sense, that, in myself, I'm tightening up and I'm rising. But it's not about the shoulders rising. It's about the body's heat and about muscles engaging.
- 02:35
- And then, what you do, is you can say one thing is you can just feel this inside yourself.
- 02:39
- And then, put yourself close to another person. And the same way, that... May I?
- 02:47
- You know, if I tighten my hand, she'll tighten. You know, you go to shake someone's hand. They're like, "RRah". So, you go "Waaa".
- 02:56
- And, just for effect, if you back away a little bit. Just a little. Two inches. With the heads, too.
- 03:04
- And now, you slowly go towards each other. And you create pressure.
- 03:11
- So, I want you to say, see, that there's this consciousness, in the use of the face, of going into each other's space.
