Una Coreografia di Esempio - Parte 1 - Introduzione

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Ci sono molti modi diversi per entrare sulla pista da ballo.

Entrare sulla Pista da Ballo

Nome dell'artista:
Mandragora Tango
Titolo Canzone:
Adios Nonino
Titolo album:
Let's Have Dinner And Go Dancing
Sito web dell'artista:
http://www.mandragoratango.com

Dal sito web: Mandrágora Tango è una band di tango guidata dal bandoneonista Bob Barnes e dal chitarrista Scott Mateo Davies, due musicisti di Minneapolis che sono appassionati di tango. Suoniamo tango per ballare e ascoltare dal 2001 e siamo ancora forti. Abbiamo suonato in oltre 40 città in tutti gli Stati Uniti.

00:04
And so, at the beginning of this, we're going to start pretty far away. So, I really want you to take large steps.
00:10
So that there's this sense of traveling, of distance.
00:12
So, when we start, first, I'm going to do this... movement, and she's going to do the same movement.
00:17
So, it goes, da-ram-pam-pa-ram-pi-da-dam, bum, bum, bum. You'll hear it shortly.
00:22
And I'll point out far... turn, cut... and reach to her.
00:30
And you see, it travels. So, doing it with the music:
00:40
Yeah, we weren't far enough, so we crossed. But, you want to be pretty far, so that, when I do that ta-ta-da-da-ti-da-da,
00:49
And she does the same, ta-ta-ta-ta-da-da-ti-da-da, we're right here in front of each other.
00:55
And for the audience, at another angle, you want to pass pretty close.
00:58
So, if we do it this way to the camera, and we're going to step small, so it can be seen.
01:03
So, let's see... Actually, you'd be facing the camera, I'd be facing away.
01:07
So, it goes, da-da-da-da-di-da-da... And I go here. And she does the same thing, da-da-da-da-di-da-da.
01:13
And, you want to think that you pass right by each other.
01:16
For the audience that's on the other side, so they get something too. As you pass, and then... Then you miss each other almost.
01:23
So, after that initial thing, da-da-da-da-di-da-da... So, I'll do it once, she'll do it once.
01:30
And then, she does it bum-bum-bum, comes in. Right here, we'll both cut behind, da-da-da-da-di-da-da, and reach the other way.
01:42
And then, bum-bum-bum, on the return, I'm stepping around in front of her, and we collect.
01:51
Next time it goes da-da-pa-pa-pi-da-da, that's a slow lunge for her, going away from me.
01:57
And then, on the bum-bum-bum, I'm coming towards her.
02:03
And that's your intro.
02:06
You hear this phrase four times. Each time it takes a count of eight.
02:12
And, in each one of these, because it's repeated, we do something that's repeated. But we add variety, right?
02:17
Once it's me, once it's her. Once it's both of us, but away. And once, it's her, and then me going towards her.
02:30
So, remember, as you're performing this, the passion, intensity.
02:36
And now it's your turn to do.
02:39
D: She can't slump as well as I can slump.
J: No, I can't.
02:42
Right? So, instead of being, "Ugh", I want you to be... Here, for the close-up camera.
02:49
If she's here, and I'm here. And I'm like this.
02:54
There's nothing. Watch, I'll even look at her.
03:01
She's thinking, "David is a dork. David is a dork".
03:05
So, really, really, really, you need to... Watch the difference. Here's one place,
03:17
And there's another, right? So, really, really, I want you to lengthen a lot in your body. And then, also, when you step.
03:24
As we're here, if I'm... It's a very different thing, dramatically. If I'm here and I go, da-da-pa-da-da-pi-da-da,
03:30
And she does the same, ba-da-ba-ba-da-pi-da-da. That's one thing.
03:35
It's a very different thing, if you really... Shoot, oh, you're so close.
03:40
That's one step, right? OK, she's like, "I hope you make it, Jessica".
03:46
So, I'm here, I reach. I cut, I say, "Hello". And then, she reaches, she cuts, and she says, "Hello".
03:56
And then, the audience says, "Wow, something happened!"
Serie:
Una Coreografia di Esempio
tag:
Coreografia, Performance
Voglio esibirmi e conosco un po' di tango