Possibilità di esplorare - Indirizzamento e trascinamento
Un tema a cui torniamo spesso è che, per far funzionare molte cose, aiuta davvero ad avere radicato nel corpo la connessione tra le membra e il torso. È importante capire che, quando il tuo centro di gravità si sposta in avanti, il piede si muove in avanti di un piede (o qualsiasi altra cosa sia per il tuo corpo) e, quando il corpo passa avanti un piede, il piede è tutto fuori. Mentre si lavora a questa connessione, consente molto.
- Nome dell'artista:
- Zully Goldfarb
- Titolo Canzone:
- Maj Tzu Di Eigalaj
- Titolo album:
- De Donde Viene Mi Voz
- Sito web dell'artista:
- http://www.zully.com.ar/
Tanghi complessi cantati in spagnolo e yiddish con grande autenticità.
Dal sito dell'artista su un album: racconta la storia di piringundines, dal cabaret tedesco al luogo del tango di Buenos Aires, e con il tango ci porterà attraverso una storia di destini incrociati, e fraintendimenti, amore e dimenticare che identifichiamo come argentini .- 00:03
- OK, so we'll start with just Nancy,
- 00:08
- Pointing her foot around, and I want you to look at what's possible, just there, looking around.
- 00:12
- Go for it.
- 00:13
- So, OK, I'm going to just fool around.
- 00:20
- And then, likewise, I can...
- 00:24
- Point,
- 00:25
- Reach past,
- 00:28
- Up along my leg...
- 00:30
- Oh, I shouldn't bring it off the floor, it's cheating.
- 00:31
- Right, we said that one of the constraints were we're on the floor.
- 00:33
- So, remove that.
- 00:34
- You get that, there are some possibilities,
- 00:35
- And then, what I want us to do, is I want you to think, "Well, can we relate this to each other?"
- 00:39
- So, for example, if she picks something,
- 00:41
- Let's say she points forward and then around, do that again.
- 00:45
- So, she goes forward, and around, through, then what can I do?
- 00:48
- So, maybe, give it a go, from the beginning,
- 00:50
- I can go forward and around.
- 00:53
- And then you can say, "Well, that's sort of cool". Again:
- 00:55
- Can we make this something that is lead-follow, can we make it tango?
- 00:59
- Or, let's say she does something else; pick something, I don't care.
- 01:05
- Again.
- 01:09
- Hey, wait, that was cool, let's do it again.
- 01:13
- I've got him here, I could actually drag him from here.
- 01:17
- It's kind of a weird place, but I could.
- 01:19
- So, the point is, in all cases, we can point in lots of directions, we can circle in lots of directions,
- 01:23
- And then we can relate that pointing and circling to our partner to make really cool things.
- 01:27
- And not only that,
- 01:28
- And we keep the constraints almost arbitrarily.
- 01:32
- We said, "OK, what small box could we use?"
- 01:36
- And within that box, how can we look around?
- 01:39
- We're not stepping, there's nothing like that.
- 01:40
- But not only that, so if she points to the side,
- 01:43
- And comes here,
- 01:45
- Then, you know, if I'm pushing her, then this is a drag.
- 01:48
- And I can push him back.
- 01:49
- And, likewise, you can pull me,
- 01:51
- I can pull in there,
- 01:53
- If I'm silly, right, you push, and then cast,
- 01:56
- David, we know you're never silly.
- 01:58
- Dribbling,
- 02:00
- And then circle around myself.
- 02:02
- So, we totally know he's never silly, and all of the people who have studied with us in person are laughing their heads off when I say that.
- 02:10
- On that note, play with this, look around, try different things.
- 02:14
- Just say: "What can we do, and is it cool?"
- 02:16
- Don't worry about lead-follow, don't worry about "Is it tango?", we'll worry about that in later chapters.
