Compensazione per il tuo partner - Rushes

Commenti
Musica
Trascrizione
tag

Come abbiamo detto, quasi tutti i leader partono uscendo troppo velocemente; non comprendendo dove il seguace ha bisogno di tempo supplementare. Ogni singolo leader che è incantevole (e alcuni dei nostri studenti sono leader incantevoli) sa quando permettere al seguace quel piccolo momento di tempo supplementare. Questo è un elemento veramente importante nel modo in cui il seguace sperimenta la danza.

Nome dell'artista:
Tanghetto
Titolo Canzone:
Alexanderplatz Tango
Titolo album:
Emigrante (Electrotango)
Sito web dell'artista:
http://www.tanghetto.com/

(Da Wikipedia): Tanghetto è un gruppo musicale con sede a Buenos Aires, in Argentina e uno dei più importanti della scena neo tango. Lo stile di Tanghetto è una miscela di tango e musica elettronica.

00:04
A lot of times, when men start dancing, they go too fast.
00:08
And then, we have to teach them how to wait for us.
00:11
And, particularly, at a place where a woman's pivoting, Or, when she has to...
00:16
When he's just changed feet. Or, he's just waiting and she has to change feet, and then pivot out.
00:22
They're going to want us to go, before we're fully balanced over the ball of our foot and have completed our pivot.
00:27
And, what do we do about that? The answer is, we don't go.
00:31
And so, not going... If we don't go with great charm,
00:34
And we look up at him. And our arms give a little bit so he feels like we're responding to him. They don't mind that.
00:41
Let me show that.
00:42
Not just the arms... Yeah, no, you're right. It is just the arms. But it feels like the body. The body, very subtly.
00:48
So, he's going to rush me. And I'm just going to...
00:54
N: That's severe, David.
D: Well, I want them to see that I'm rushing you.
00:58
This way, this way. Come over here.
01:01
And that, really... OK, that was severe. But, really, the men frequently, no offense, guys,
01:08
Want to get the woman going before she's finished.
01:11
And, that's what you do. You, kind of, give with your arms, and then, with your body,
01:14
You take your time, until you can complete whatever it is you're doing.
01:18
So, do that with me. I'm the girl, she's the guy.
01:20
N: You want me to rush you?
D: Yeah.
N: I'm good at it, too.
01:28
So, I go all the way over. And then, even though she does all this stuff...
01:35
D: And this happens in other context.
N: It does.
D: So, for, example, if we did a basic.
01:38
N: Oh, yeah, it does in the basic, too.
D: At the cross, very often, the guy is, like, "OK".
01:44
D: And he just rushes through.
N: Wow, that was tough.
D: Yeah, I know. I'm doing the extreme version.
01:48
And so, you really have to keep your center engaged, your core engaged so that you're able to, sort of, defend your axis.
01:55
That's a very good phrase. I tell my students all the time, that it's up to each of you.
02:00
It's every one of you. It's up to you to defend your own axis.
02:04
That's important.