Стиль Милонгюро Закрыть Embrace - Двойное время отдельно и вместе
Когда вы танцуете ритмично, это почти как другой мир (по сравнению с длинными длинными медленными шагами или эффектными элементами типа комбинации). Мы думаем, что одна из вещей, из-за которых ритмичное чувство естественным и легким - это то, как организм может втянуться. Даже когда вы открываете глаза, и особенно когда вы этого не сделаете, есть смысл, что между бедрами есть магнит и ваши телята и даже те части вашего тела, которые тянутся почти так же, как вы сжимаете себя тонкой линией с вашей мускулатурой. У вас есть мягкая, но концепция втягивается.
- Имя исполнителя:
- Orchestra Del Mar
- Название песни:
- Enigma
- Название альбома:
- Milonga De Hoy
- Сайт исполнителя:
- https://www.facebook.com/OrchestraDelMar
С компакт-диска: красивые взрослые голоса, ведущий аккордеон и трио тёплых струн поддерживаются современной секцией джазового ритма на Пьяццолле, Гисмонти и других южноамериканских сюжетах
- 00:20
- And the end was only to turn. But, the combination is really about having triplets that alternate.
- 00:27
- So, I think it's interesting when I'm going one amount and he's going a different amount.
- 00:33
- So I take two steps for every three steps, in the beginning, that he takes.
- 00:37
- D: So, if we break that down,
N: It takes very good leading. - 00:41
- D: In slow, slow motion. I'm starting, one - me. Two...
N: Us. And then, again. - 00:50
- D: One - me. Us.
N: One - him. Us. And then, two triples, that we do together. - 00:57
- So, one more time. Let's do this to the camera.
- 00:59
- Or, away from the camera. Either way, here. We'll go away from the camera. You can watch the footwork.
- 01:04
- So, I'm going one, two, three. One, two, three. And on the twos, I'm changing. And then on the one and three, we're both stepping.
- 01:15
- You'll notice that I'm weaving from the one side to the other as we do this.
- 01:20
- So it's straight at her. Shift. Step. Shift, change, step. And then, we have two triples.
- 01:30
- I think it's really interesting when we have different timing like that.
- 01:33
- So, you've got adum, him, boom. Arum, him, boom. Awap , them. Yap, them.
- 01:42
- Other direction. I think we're just barely fitting in a camera. It really travels.
- 02:00
- In the lead, for the leaders, really focus on keeping her still when you do that change. So, as I'm going to do the change, I'm going...
- 02:09
- One. Hold her in place as I shift. So, watch as my upper, I say, "Hold". And I'm rotating, so she stays in the same spot as I shift.
- 02:17
- And then, we both step.
- 02:19
- I imagine, that's quite a hard lead. When David does it, it's really clear to me.
- 02:22
- But, why don't you show them, for the camera, again. But, even in the close-up camera what you do with your arms.
- 02:28
- In the upper body, if you're my follower and, you know, and I'm holding up. You're a very tall follower.
- 02:36
- I'll go one, two, three. And then, I shift myself. One, two, three.
- 02:45
- So you see how my body shifts to the right, and then, to the left. My right, my left.
- 02:49
- You can also see, in the place where the follower's not moving, how his arms stay in the same spot as his body moves.
- 02:58
- N: Let's do one more time.
D: One last time. - 03:03
- So, it goes... And, really, starting near the edge of the camera. So, it travels,
- 03:10
- And then, the triplets together. Which you've seen in other chapters.
