Компенсация для вашего партнера - У него нет руководства

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Мы можем дать вам много методов, которые позволят вам вести или следовать или хорошо танцевать перед лицом субоптимальной производительности вашего партнера. Но мы хотим напомнить вам, что танцы с кем-то состоят в том, чтобы поделиться с ними несколькими минутами человеческой жизни. И речь идет о том, чтобы быть вместе с ними, даже когда вам нужно использовать эти методы, чтобы выжить в танце.

Поэтому мы предлагаем использовать эти методы преодоления, не позволяя им овладеть вашим опытом танца. Думайте о них как о инструменте, так как надлежащее выполнение ocho - это инструмент, который является частью того, что позволяет вам делиться (надеюсь, положительным) опытом с вашим партнером.

Имя исполнителя:
Tanghetto
Название песни:
Alexanderplatz Tango
Название альбома:
Emigrante (Electrotango)
Сайт исполнителя:
http://www.tanghetto.com/

(Из Википедии): Тангетто - музыкальная группа, базирующаяся в Буэнос-Айресе, Аргентина, и одна из самых важных на нео-танго-сцене. Стиль Тангетто - это смесь танго и электронной музыки.

00:05
Sometimes, the leader... You're dancing with a guy, and he doesn't give you anything in terms of the lead.
00:10
His arms are just all soft, and he's, kind of, moving his body in different ways. Then, what do you do?
00:16
And, really, the answer is that, the less he has, in terms of his body, - the more you have to have.
00:22
So, you tighten up your core. And you stand really tall. And then, you connect yourself to your partner.
00:29
And, as long as your arms don't give, it doesn't really matter what he does. You can follow his body.
00:35
So, you just, kind of, aim with your chest at his middle of his chest. And you stay facing him. No matter what he does.
00:43
Like this.
00:44
N: Can you do the bad?
D: Sure. OK.
00:51
Oh, boy.
00:54
D: This is like the psychic lead... My arms are all nothing.
N: So, this is pretty bad.
01:02
And, at this point, if he's this bad, you don't even worry too much about...
01:07
If you can guess what he wants, then you give it to him. If you can't, you just stay in front of him, and stay connected.
01:14
And, I mean, there's also this, sort of, philosophical thing.
01:17
So, do you follow what he led, or do you follow what he wants?
01:21
D: And...
N: It's an interesting question.
D: Yeah. And...
01:24
And my instinct, is to say,
01:26
That, when it's more about learning, let's say, class, or practice, or something, - you should follow exactly what he leads.
01:31
N: Right. He needs the feedback.
D: And that, if it's...
01:33
And that, if it's a social event, - you, sort of, compromise.
01:36
So, you don't only do what he wants. But, you also don't only do what he led, if he's really bad.
01:39
'Cause then, nothing goes well. And so you find some place in the middle.
01:43
Well, that's assuming that you know what he wants.
01:45
So, if he doesn't have any idea what he wants, maybe you can still recognize the step.
01:49
And, if you're dancing socially, and you recognize the step - do the step.
01:52
Even, though, that's not... He's not leading clearly.
01:56
If you don't know what it is that he is wanting to want, then just stay connected with him and, kind of, follow him around the floor.
02:04
But, from a technical perspective,
02:07
The advantage is that, on this side of my body, as a leader, you can connect yourself to his torso.
02:14
So, for the followers, when leaders are not good, then, oftentimes, that means that their arms aren't giving you any useful information.
02:22
Right.
02:22
So, for example, they're saying, "Oh, I want you to do all this stuff." Or, maybe, they're not giving you anything.
02:28
N: But, they'll be saying that with - you'll be like this.
D: Right. But, see, with the way that you can hold their upper arm, well that connects you to their body.
02:36
And so, for example, if their upper body moves, you'll be able to feel that. Even though their arms are doing all this stupid stuff.
02:42
No insult, guys.
02:43
So, I want you to think that you can use this to connect your body to his body.
02:49
Because, he's... You have to do it, because he's not doing it for you.
02:52
There are a lot of circumstances where I advise, "You hold on for dear life, right here." And that helps a lot. And this is one of them.
03:02
So, wave this arm around.
03:08
Yeah. Well, that's... But, I can still dance with him. Based on this one hand.