- 藝術家姓名:
- Zully Goldfarb
- 歌名:
- A Shpilgueton
- 相冊標題:
- De Donde Viene Mi Voz
- 藝術家網站:
- http://www.zully.com.ar/
複雜的探戈在西班牙語和意大利語中都唱歌，具有極高的真實性。
從藝術家的網站上了解一張專輯：講述從德國歌舞表演到布宜諾斯艾利斯探戈場地的故事，探戈將帶我們穿過歷史，跨越命運，誤會，愛情，忘記我們識別為阿根廷人。使可能性工作 - 探戈可能性：外觀
發生的一件事情是，當你越來越認真，這真的很酷，真的很有趣的是，你開始了解你正在學習跳舞的其他生活領域的適用性。有時候，這是非常明確的，像這個視頻。或者有時候，這是關於成為一個更好的公眾演講者，並利用你的身體來影響觀眾或學習如何更加深情。在時間上，它也會影響你的生活（明顯的方式，還有微妙的美妙方式）。
- 00:05
- This is the tango look.
- 00:12
- Well, not really.
- 00:13
- Eh, it could be.
- 00:15
- The idea is to take anything that you do, and then make it look tango.
- 00:20
- Nancy: So what would that be?
David: So, for example, let's take - 00:24
- An example we had before, just being silly, where we had her bicycle.
- 00:28
- And then I'd bicycle.
- 00:30
- Why are you calling that silly? I think it's very serious.
- 00:33
- I love you.
- 00:34
- But if I do it like this, then, you know,
- 00:35
- She goes, I go, she goes...
- 00:39
- That's, eh, OK.
- 00:41
- But in the upper body - nothing special is happening, so...
- 00:46
- So, we do the same thing, but notice first our hips come very subtly towards each other.
- 00:51
- And then, as I lead her, in my upper body I'm towards her, and she's towards me.
- 00:55
- So, in the face, there's this look.
- 01:00
- It's this slight angling towards.
- 01:02
- So, it's a slight angling towards, I'm not here in his face, into his eyes,
- 01:05
- I'm trying to get into his face, but not quite succeeding.
- 01:09
- And I realize, I forgot,
- 01:11
- I was going to give an example of lead from our previous exploring.
- 01:15
- So, I'll say that in this chapter, and it can be an extension of the earlier chapter.
- 01:19
- So, when I'm leading her to do that bicycle,
- 01:21
- Right here, I'm saying to her:
- 01:24
- "Come in, up, over".
- 01:25
- So, if you watch this hand, it goes in, up, over, in, up, over.
- 01:32
- David: So, it was led, actually, this time.
Nancy: It was. - 01:35
- It was, I didn't really know what he wanted me to do in the beginning.
- 01:38
- And it can be any direction, this look.
- 01:40
- So, I could be facing away from her, right? So we could be here,
- 01:44
- Give me your hand too, just in case.
- 01:46
- So we could be here, and then you'll see my upper body, my upper back goes back to her.
- 01:51
- So, even though the face is away, I say, "Oh".
- 01:54
- Instead of saying, "Oh".
- 01:56
- Here, I'm just away.
- 01:58
- Here, I'm away, but about her.
- 02:03
- So, wherever you are, I want you to think,
- 02:05
- That it's not that you're just away, it's that you're - away.
