Украшательства - По сравнению со стилем
Рассказ, рассказанный нам нашим главным учителем аргентинского танго Майклом Уокером, о том, что он увидел на милонге в Буэнос-Айресе: была дама, и каждый раз, когда она танцевала, она делала эту сложную руку, чтобы прийти в объятия это предназначалось для общения: «О, я тронут такой страстью», но она сделала это каждый отдельный танец с каждым партнером. И, иногда, еще раз, посреди танцев. Так что это стало глупо выглядеть, потому что она не могла так сильно увлечься такой страстью, как каждый раз, когда она начинала танцевать со всеми лидерами.
Хотя мы, конечно, не против драмы, люди склонны злоупотреблять своими украшениями, использовать их повторно и не использовать их в контексте.
- Имя исполнителя:
- Viviane
- Название песни:
- Confidencias De Minha Rua
- Название альбома:
- Viviane
- Сайт исполнителя:
- http://www.viviane.com.pt/biografia
(С сайта переведенного Google): в акустическом формате - богатая диалектика между универсальными языками Фадо, Танго. Португальская гитара и аккордеон являются доминирующими нотами.
- 00:05
- So, I would like to make a distinction, now, between what I'm going to call styling and embellishments.
- 00:10
- D: So, an embellishment is when you take a step, and then you add all these movements...
N: Little twiddles.
D: And twiddles around the step. - 00:18
- And styling is more about how you do the step.
- 00:21
- And nine times out of ten... No, eight times out of ten.
- 00:24
- If you want to do an embellishment, probably it would be better to just style the step more.
- 00:29
- So, so that it's easy to see, I'm going to do a basic, and once, I'm going to embellish the heck out of it. Too much.
- 00:34
- And then, I'm going to style the heck out of it, too much. So you can see what I mean by the difference.
- 00:39
- D: I'm going to be the follower.
N: Gurr!
D: Gurr. - 00:55
- D: Right, right. Yeah, Yeah.
N: That was crazy.
D: Styling... Way too much. For embellishment.
N: That was way too much embellishment. - 01:00
- D: Way too many embellishments.
N: Now, here's way too much styling. It's probably going to look pretty silly, too. - 01:04
- I hope the other one looked silly. He probably did them really well, and that's a problem.
- 01:22
- Now, once again, that's, sort of, exaggerating. "All this body motion".
- 01:25
- But, ladies, really, as you do this...
- 01:30
- Let's say I want to make something fancy. And the movement is this.
- 01:34
- Well, you can do, like, "Bang! Ah". Or, you can do, "Ahh". Where you have all this extra movement in your body.
- 01:46
- And so, in general... Realize that the body is more meaningful than the limbs.
- 01:52
- N: That's a very good point.
D: And, if I do... If I say to her, "I love you". - 02:00
- N: Ha-ha!
D: That's not convincing. Because it's just my arms doing this, and my body is doing nothing. - 02:04
- So, I say, "I love you", and then I and move my arms up and down - it means nothing.
- 02:08
- And, if I'm here, and I say, "I love you"...
- 02:12
- And then that means a lot more. Because my body is doing it. Even though the movement is less.
- 02:17
- So, the same thing is true of embellishments or styling.
- 02:21
- So, as I... Actually, as she follows.
- 02:25
- You'll see, that on the side step, we can go, "Ahh".
- 02:32
- Here, we can have this moment of... stillness. And then, we move. And then, we go on.
- 02:41
- So, I want you to think, as you're dancing, can you add small movement, a subtle interpretation?
- 02:46
- "Dam-ha-rey-da-da-dam", in your body. To... To make it more textured and real.
