- 艺术家姓名:
- Anibal Troilo
- 歌名:
- A Fuego Lento
- 相册标题:
- A Fuego Lento
Anibal Troilo有一种更抒情的风格，是探戈音乐的“黄金时代”（20世纪30年代中期到20世纪50年代中期）。在Milongas听到的更常见的人之一。
你的第一场舞蹈 - 体重变化和行走
- 人们常说（而且也完全正确），即使在探戈的最重要元素中，行走和体重变化也是最重要的。
- 对于我们来说，这是我们舞蹈中最令人满意和最愉快的方面之一。
- 要花很长时间才能“得到”。
- 但思考的时间却非常宝贵： “一位富有的老太太决定去非洲进行一次摄影旅行。她带着她忠实的宠物贵宾犬一起去。有一天，这只贵宾犬开始追逐蝴蝶，不久它就发现自己迷路了。
于是，他四处游荡，发现一只豹子正快速朝他走来，显然是想吃午饭。这只老贵宾犬想：“哦，哦！我现在陷入了深深的粪便中！”
然后他注意到附近地上有一些骨头，就立即坐下来背对着正在靠近的猫啃骨头。就在豹子即将跳起来的时候，贵宾犬大声叫道：“天哪，这只豹子真好吃。不知道这附近还有没有其他的豹子。”
听到这话，豹子停下了攻击，脸上露出恐惧的神色，然后偷偷溜进了树林。“呼，”豹子说。“太危险了。那只贵宾犬差点就把我咬死了。”
与此同时，一只在附近树上目睹了整个场景的猴子认为他可以利用这一知识，换取免受豹子伤害的机会。于是，他出发了。
但贵宾犬看到他飞快地追赶豹子，心想这事儿一定出事了。猴子很快就追上了豹子，说出了实情，并与豹子达成了交易。豹子被人愚弄，怒不可遏，说：“过来，猴子，跳到我背上，看看这只狡猾的狗会有什么下场。”
现在，贵宾犬看到豹子背着猴子过来，心想：“我现在该怎么办？”但是，这只狗没有逃跑，而是背对着袭击者坐下，假装还没看到他们……当他们走近到能听到声音的时候，贵宾犬说……
那只愚蠢的猴子在哪儿？半小时前我让他去给我带另一只豹子！”
- 顺便说一句，深刻的东西，你不会在某一天醒来就在那里，你现在就深刻了。你工作，你辛勤劳作，你感到快乐，一段时间后，你会变得更加深刻。你工作，你辛勤劳作，你始终如一地努力，之后，你会变得更深刻、更真实，体验也会变得更加美妙。最酷的是，这个过程没有结束。
- 00:07
- So this chapter is about walking and weight changes,
which are some of the most profound, - 00:11
- This is what we always come back to.
- 00:13
- And I want you to think about the weight changes especially,
- 00:16
- But eventually once you develop
an increasing mastery of the walking, - 00:19
- That this is like the conversations
that go late on into the night. - 00:23
- You're talking with a friend and it's just - you're in this zone of
oneness and bonding and awesomeness. - 00:29
- And that is what a weight change is like.
- 00:30
- N: That's really good.
D: Yea, yea. - 00:31
- That's exactly what it is really like.
- 00:33
- It's really that profound.
- 00:35
- And you do it through the touch,
instead of through the words. - 00:40
- That's one thought.
- 00:41
- A second thought is that you can make a whole dance
with just walking and weight changes. - 00:44
- And when you add in these other elements; the front and back ochos
and the basic, - 00:49
- Then you have sort of more than you need
for a whole dance. - 00:51
- And later on in this video we're going to show you,
- 00:53
- making a whole dance with just walking
and weight changes. - 00:55
- So, for the weight change I really want you to think
that you take your time. - 01:04
- We're here, I'm going to compress in.
She's going to match me and be strong. - 01:09
- I'll take a breath.
- 01:13
- And then I go up...
- 01:16
- Over...
- 01:18
- And down.
- 01:20
- And I really take my time.
- 01:21
- If we do this close to the camera,
it becomes this. - 01:25
- You hold your partner and you go...
- 01:36
- And so that makes it very real.
- 01:38
- It sounds silly but women really do swoon for this,
if you do it slowly enough. - 01:42
- For the men it's excruciatingly slow when you start.
- 01:45
- And however slow you think you can go,
it's not slow enough for the women. - 01:49
- But when you get the guts, and it really is,
when you get the guts to do it... - 01:53
- The conviction...
- 01:54
- It's very rewarding.
- 01:56
- And now for walking, for now I want you to think
you can go in any direction. - 02:00
- So we can go, him forward,
her back or weight change. - 02:05
- Her forward, him back
or weight change. - 02:08
- We can step side or side or weight change
or weight change. - 02:15
- Right, so we can go in any direction.
- 02:16
- And if you put these together...
- 02:17
- All of a sudden you can make a dance
with only that. - 02:19
- Walking forward, back,
side or weight changes. - 02:21
- And that would look something like this.
- 02:46
- And as you are watching this
you don't say to yourself, - 02:48
- "Man that's so boring," or "Man that is so repetitive."
You say "Oh that's cool." - 02:53
- It doesn't take much to make a dance.
- 02:54
- And when you have the good connection and have more technique
with the walking and the weight changes... - 03:01
- It can really be a very rich experience.
- 03:04
- So think about how this is wonderfully cool and work.
- 03:10
- Walking is really hard. But when it works together
and you're moving as one body, it's really fun.
