- 艺术家姓名:
- Astor Piazzolla
- 歌名:
- Adiós Nonino
- 艺术家网站:
- http://www.piazzolla.org
我们通过查看Mandrágora探戈网站发现了这个特殊的演绎
(从维基百科释义):皮亚佐拉的探戈与传统探戈不同,它融合了爵士乐元素,使用扩展的和声和不和谐,使用对立点,并将其作为扩展的组合形式。正如阿根廷精神分析师卡洛斯·库里(Carlos Kuri)所指出的那样,皮亚佐拉的探戈与众多其他可辨认的西方音乐元素的结合是非常成功的,它产生了超越这些影响的新的个人风格。
- 00:04
- So, this series of chapters is about a structural approach to learning tango
- 00:09
- Often we teach combinations, right?
- 00:12
- When we started, we said, "Here's the basic, here's a front ocho", and we taught you vocabulary.
- 00:16
- But, in the oncoming two series of chapters, we're going to teach you, hopefully,
- 00:22
- how to begin to think about freedom in tango, right? That, at any point, you can do anything.
- 00:28
- But there's almost too much choice, so let's make that very microscopic.
- 00:32
- You're standing in one place,
- 00:34
- you can walk forward, you can walk back, you can walk side,
- 00:37
- you can change weight, or you can wait.
- 00:39
- Right, so that's sort of this series, this is what this is about.
- 00:42
- And then we'll also talk about how to actually make that functional.
- 00:46
- So on that note...
- 00:51
- So, if we say you can walk forward, and I'm sort of leader-centric
- 00:56
- So, for the followers, you'll be walking backward,
- 00:57
- We can go: one, two.
- 01:01
- Or we can go backwards: one, two.
- 01:05
- Or we can go side to side: one, two; or you can change weight.
- 01:14
- Or you can just wait, and then do something.
- 01:18
- Well, when you wait - you look enchanted, that's the kind of waiting.
- 01:20
- Right, right, wait and look enchanted.
Right.
- 01:23
- And when we do this, one key thought is that you're want to bring your energy through your partner in every direction.
- 01:29
- So, for example, if I want her to go, let's say away from the camera,
- 01:36
- I'll really go straight through her, so there'll be the sense of... this.
- 01:42
- And likewise, if I want her to go side, you'll see that as she stands here,
- 01:47
- I really go... through her.
- 01:50
- And so I'm not using my arm to do this, I mean, of course, she catches the arm. But I use my whole body to go through.
- 01:57
- And when David's using his whole body to go through, it's like a train at you, and you go.
- 02:04
- And so, if we just do this for awhile, we can walk forward...
- 02:08
- Change weight...
- 02:12
- Walk side...
- 02:18
- Go back...
- 02:24
- Change weight and stop,
- 02:26
- And then carry on again.
- 02:28
- And that - that's really dancing.