การออกแบบท่าเต้นตัวอย่าง - ตอนที่ 4 - การแสดง

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ชื่อศิลปิน:
Mandragora Tango
ชื่อเพลง:
Adios Nonino
ชื่ออัลบั้ม:
Let's Have Dinner And Go Dancing
เว็บไซต์ศิลปิน:
http://www.mandragoratango.com

จากเว็บไซต์: Mandrágora Tango เป็นวงดนตรีแทงโกโดย bandoneonist Bob Barnes และมือกีต้าร์ Scott Mateo Davies นักดนตรี 2 คนจาก Minneapolis ที่หลงใหลเกี่ยวกับแทงโก เราได้เล่นแทงโกเพื่อการฟ้อนรำและฟังเพลงตั้งแต่ปี 2544 และเรายังคงแข็งแกร่ง เราเล่นในกว่า 40 เมืองทั่วสหรัฐอเมริกา

00:04
So, taking my glasses off, so you can feel the passion.
00:08
Oh my. And here, the music begins to slow.
00:12
We ended: left leg forward, right leg back. Here.
00:16
So, our bodies were long and tall. We start... No, not yet. We start here.
00:22
And I'll come towards her, and she arcs towards me. And we have this moment with our faces.
00:28
Then, from here, I'm... She's shifting, as I go down.
00:37
I hold her tight, "Oh".
00:40
And then, here, I go lower, so I can come underneath, and help her up.
00:46
She rotates her body a little bit. So that, when I come up, you can see me, here, and and see her, here.
00:55
Showing each of the parts, so they're clear. I'm the girl, right now.
01:04
So, it's come down. When the guy comes here, ladies, you look... Watch the arch in the upper back.
01:14
And there's this sense of the "frontalness" of your faces meeting.
01:20
As he comes down, you hold in, up. And you're going to slide the other leg back.
01:28
Hard to see under her dress.
01:31
And as the ladies are doing that, sliding their other leg back... Guys, you're here, and you're going down... To meet them.
01:40
You have this moment here, close. And then, when I said under? Watch what I do. I go... lower.
01:47
So, I rolled over my right shin. And in my upper body, I actually curled underneath, a little bit.
01:52
There's this sense of under, so I can help her up.
01:56
Because, remember - the ladies are here, and they're stuck.
02:03
Other thoughts.
02:07
When we look in the face... Here, let's go to this camera.
02:10
When I look at her in the face, most of tango is here. Where we're not really looking at each other.
02:16
So, this moment, where it becomes all of the way - it's a very dramatic moment.
02:24
Right? So you go, "Oh!" They actually looked at each other.
02:28
Now, after that... When you hold each other, I want you to see that the holding has some "meat" to it.
02:34
So, if I hold her like this, "Oh, hi Jessica",
02:39
There's no "meat".
02:41
So, I want you to see... Actually, let's see if you can see. My hand isn't here, my hand is...
02:47
See how the body actually engages, and pulls in? So, this is just, "I'm on the surface", and this is...
02:55
I'm really pulling in.
02:57
So, when you're going down on the floor, that's what I want you to think about - pulling in.
03:03
After she stands up, and he's to her... What an unusual thing. But I like it, for the variety.
03:08
And it's still about the acting. As you're down here, remember still leans forward, but hay.
03:14
Watch how... So, there's this space, so her right leg is forward, for the line. And my body is going into that space.
03:21
My head is going into the space. And we're not just here. We hold.
03:27
And, even in my face. Even in my face, I want a little bit of... This sense of, "Oh, something's happening".
03:38
Oh, actually lets show it one more time. And then, we'll put it to an end.
03:42
So, you're here; down, da-da-da-da; du-du-du. So, we end up here.
03:48
And then, guys, you're going to look at each other. Faces. Then, it shifts.
04:01
Then here, you hold close. And I want to see the flesh give as you pull in. Then, it goes underneath.
04:15
I adjust. Pulls in again.
04:19
And then, you pop up.
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