- ชื่อศิลปิน:
- Astor Piazzolla
- ชื่อเพลง:
- Adiós Nonino
- ชื่ออัลบั้ม:
- RCA Victor 100 Años - Astor Piazzolla
- เว็บไซต์ศิลปิน:
- http://www.piazzolla.org
(แปลจากวิกิพีเดีย): แทงโกของ Piazzolla แตกต่างจากแทงโก้แบบดั้งเดิมในการรวมตัวกันขององค์ประกอบของดนตรีแจ๊สการใช้ดนตรีและความไม่ลงรอยกันที่ยืดยาวการใช้ counterpoint และการลงทุนในรูปแบบ compositional แบบขยาย นักวิเคราะห์ด้านคาร์ลอสกูรีชาวอาร์เจนตินาชี้ว่าการผสมผสาน Tango ของ Piazzolla กับองค์ประกอบทางดนตรีที่เป็นที่รู้จักกันทั่วโลกได้ประสบความสำเร็จอย่างมากจนทำให้เกิดรูปแบบใหม่ที่แตกต่างจากอิทธิพลเหล่านี้
- 00:05
- Now, as you think about choreographing to the music, the first thing...
- 00:08
- Sometimes, away from the music, but general choreographic structure, is that you want to create variety.
- 00:15
- So, for example, when a dance starts, I might have some dramatic introduction.
- 00:21
- Let me get a chair, to symbolize the woman.
- 00:23
- And, as that dramatic introduction happens,
- 00:27
- That'll eat up time. And it will be varied. And it will be interesting. You'll like, "How cool is that?"
- 00:33
- So, there's the woman in the chair.
- 00:37
- You walk up to her.
- 00:43
- You caress her hair. You're here. You rise.
- 00:50
- You know, so you have this beginning thing, which is very cool. And the audience looks, and is like, "Wow, how cool!"
- 00:55
- And then, after that, you kick the chair away.
- 00:59
- Whatever it is. And, then you start to dance.
- 01:04
- And, maybe you do lots of fancy cool steps, sacadas and enganches, enganches and boleo, blah-blah-blah-blah-blah.
- 01:12
- And the audience is, "Look, how cool is that!" We like that when the audience says that.
- 01:16
- And then, after that, well, you need something more to add drama.
- 01:21
- So, maybe, now you have some sort of big trick, where she's in the air. We had a few things about lifts.
- 01:28
- And then, after they're, like, drooling over your amazing lifts, then you add in some acting. And then you repeat.
- 01:36
- So, the point is, that you want to have a section, which is, maybe, 20 to 30 seconds, err on the side of low,
- 01:43
- For acting. Oh, sorry, for an introduction.
- 01:47
- And then, after your introduction, you want a section that's 20 to 30 seconds, that's really cool, for a different reason.
- 01:52
- So, instead of being sort of separate dramatic acting thing, sort of movement, you have cool tango steps.
- 01:59
- And then you have a section that's 20 to 30 seconds, that's really cool, but for a new reason.
- 02:03
- Maybe, this one's really cool because you have a great lift.
- 02:07
- You know, or a couple great lifts. And then, maybe you have another section, and that's really cool.
- 02:12
- You see the pattern, everything is really cool, but for different reasons.
- 02:14
- So, if I do the exact same thing for 45 seconds, even if it's really cool for the first 20 seconds,
- 02:21
- The last 20 seconds you'll be like, "I've had enough. Show me something new".
- 02:26
- So, when you're choreographing, it helps if you find music that is very varied. We'll have a chapter on that.
- 02:30
- And... Even if the music is not varied, you go away from the music, and then you come back.
- 02:35
- The music is going, "Ba-da-da-da-da"; you're doing, "Huh". You know, you sort of emote slow passion.
- 02:43
- And then, later on, you can go, "Ba-da-da-da-da". And, the audience's eye is refreshed.
