주로 지도자를 위해 : 우리는 당신이 언제든지 무엇이든 할 수있는 경우가되기를 원할 때 춤을 추는 동안 안무의 자유로 나아갈 때 초점을 맞추어야 할 한 가지 주요 사항이 있다고 생각합니다. 그것이 당신이 가고 싶은 단계의 시작 위치이며, 거기에 도달하는 가장 빠르고 간단한 방법은 무엇입니까.
ochos 들어, 어디서나 기본적인에서 오는, 대답은 : 그는 체중을 변경, 그녀는, 그리고 피벗하지 않습니다.
미래의 비디오에서, 당신이 무언가를보고 언제든지 그것을 할 수 있기를 원할 때 우리가 위에 제기 한 질문을하십시오. 대답이 명확하지 않은 경우 "talk to us"를 클릭하고 질문하면 답변과 함께 의견을 게시 할 것입니다.
(Wikipedia 출신) : Anibal Troilo는 아르헨티나에서 bandoneon 연주자, 작곡가, 편곡자 및 밴드 리더였습니다. 그의 orquesta típica는 1940-1955 년 황금 시대의 사회 댄서들에게 가장 인기가 있었지만 1950 년대 말 콘서트 사운드로 바뀌었다. Troilo의 오케스트라는 악기 연주로 유명하며 많은 보컬과 함께 녹음되었습니다.
00:04
The purpose of this chapter is to illustrate the fact that
you can do anything, anywhere, anytime.
00:11
And it’s really true.
00:12
There is that much freedom in
Argentine Tango...
00:14
..which is one of the reason it’s a really awesome dance,
not that I am biased.
00:17
So in this chapter we’re going to show
the basic and we're going to show front ochos.
00:20
And then we’re going to show you
how you can interrupt the basic with...
00:23
..front ochos pretty much any time you want.
00:25
So let’s do that.
00:29
That thing he said about anything,
anywhere and anytime is very true...
00:32
..and it is part of what makes tango rich.
00:34
But for beginners
it’s also part of what makes it harder.
00:38
Yes.
00:39
So if you believe us that it doesn’t matter
then it would easy again.
00:42
But people really don’t.
00:45
So if we talk about the front ocho, it’s side,
he changes weight, she doesn’t, then pivot.
00:52
So the key point, the transition,
from a sidestep...
00:54
..which is the first part of the basic actually,
to front ochos..
00:57
..he changes weight, she doesn’t, pivot.
01:01
So if we do the basic;
01:05
Side, one, two, she crosses,
he changes weight...
01:09
Right here, he can change weight again
and she doesn’t.
01:12
And now I’m going to pivot her
towards my free leg...
01:17
..and here we are into front ochos.
01:22
So we have our basic...
01:26
..and then right here I change weight,
she doesn’t.
01:29
I pivot her towards my free leg...
01:40
..and now we’ll do that last half
of the basic.
01:45
So we just interrupted the basic
and we inserted four front ochos.
01:49
And we did it there but frankly,
we could do it anywhere.
01:51
So that was on step four of the basic.
01:53
Let’s do it on step three,
just to show you can.
01:58
So you have side, two, three.
02:01
Now right here, I’m going to change weight,
she doesn’t...
02:04
..and I’ll start to pivot her.
02:13
Let’s do that again.
02:15
Now I know this is going sort of fast.
02:17
We’ll have another chapter
where we go through this more slowly.
02:21
You could always stop us and do it behind us.
02:23
Right, you can repeat it.
02:28
Once again I stop and here I’m stopping her a hair early,
so she doesn’t cross.
02:32
And now I change weight and pivot her...
02:37
..and there are your front ochos.
02:38
I think that one is pretty cool.
02:41
Yes me too, the crossover is nice.
02:43
Let’s do it after.
02:47
The side, one, two, she crosses,
he changes weight.
02:50
We’ll take one more step, that’s step five...
02:53
..and now instead of going side, tango, close...
02:56
..he’s going to change weight,
she doesn’t. I’ll pivot her.
03:05
Let's do that again.
03:08
And the point of this for the leaders is that
to get into an ocho...
03:11
..all you do is change weight,
not her and you pivot.
03:17
I change weight,
not her, I pivot.
03:19
And now we go straight into those front ochos.
03:23
And this can happen anywhere.
03:23
And for the followers,
the trick is that you actively wait.
03:27
D: So...
N: Well first trick is that you wait.
03:30
And the second trick is that you wait with
energy in your body.
03:33
The sense of bubbling and oozing.
03:39
Then the minute anything happens,
you’re ready.
03:41
So I want you to think that
you don’t just wait...
03:43
..but you wait actively
with energy in your body...
03:45
..lengthening the spine and
being ready for anything.
