첫 댄스 - 프론트 오초
부디 로그인 당신의 지식을 테스트하기 시작하십시오!
- 강조하기 : 지도자들에게 필요한 모든 시간을주고 그녀는 필요한 모든 것을 줄 것이다. (이 문맥에서, 그것은 정말로 그녀가 앞으로 나아갈 것을 요구하기 전에 피봇을 끝내기를 기다리는 것을 의미합니다).
- 강조하기 위해 : 추종자들에 대해, 그가 당신을 선회하고 당신을 처치 할 때까지 기다리십시오. 우리가 함께 깊게 함께한다는 것을 듣는 것입니다.
- 아티스트 이름:
- Anibal Troilo
- 노래 제목:
- A Fuego Lento
- 앨범 제목:
- A Fuego Lento
Anibal Troilo는 다소 더 서정적 인 스타일을 가지고 있으며 탱고 음악 (1930 년대 중반부터 1950 년대 중반)의 "황금기"중 하나입니다. 더 일반적인 사람들 중 한 명이 Milongas에서 연주했습니다.
- 00:05
- Front Ochos; looks like this...
- 00:16
- Different angle.
- 00:25
- So, we'll break it down.
- 00:27
- It begins with a side step and then a weight change,
for the guy. - 00:31
- And ladies you just step side and stay there.
- 00:33
- And we wait... just like that.
- 00:40
- There's the side step.
Here's his weight change. - 00:43
- And the way that she knows not to take a weight change;
- 00:45
- If you look at my right arm,
I'll step side. - 00:49
- Now when I take my weight change,
my arm doesn't move. - 00:52
- If I go side like this and then I move my arms,
she'll weight change with me. - 00:57
- So I have to make sure
the forearm doesn't move. - 00:58
- That's the beginning; side,
he changes weight. - 01:04
- After that, we have a pivot rotating through his abs,
she's on the ball of her foot and a step. - 01:09
- A pivot and a step.
- 01:14
- We'll do three of them for now.
In practice you can do any odd number. - 01:17
- Between two and four.
- 01:19
- Ladies, when you step side, I want you to think that
you stay very long and tall, on your right side. - 01:25
- So you have this length here and then he pivots you
and then you go. - 01:29
- And when you go make sure you shift all the way,
to the ball of the foot. - 01:34
- All the way over and then you pivot again.
- 01:35
- So for the ladies you have, side,
he changes, she doesn't. - 01:40
- We have this pivot. She's on the ball of her foot.
- 01:42
- She steps forward all the way over
and then pivots. - 01:49
- Oh and I pivot a lot.
- 01:52
- And at the very end, I'll pull her to face me.
- 01:54
- She thinks not of pivoting, but of standing still
and then he'll motivate the pivot - 01:58
- and create this turn through the rotation of his midsection.
- 02:16
- There are also a few things that
we don't want you to do. - 02:18
- D: So moving to a new topic
N: Oh - 02:20
- Yeah, the bad ones.
- 02:21
- I'm not going to like this part.
- 02:23
- So for the guys, when you're leading,
you don't want to think you're steering a ship. - 02:28
- So it's not - it's not like this.
- 02:29
- This isn't how you get her to do Ochos.
- 02:31
- This is you, steering into the Rocky Shores
and the ship disintegrates. - 02:38
- Mom's like "Bad imagery."
- 02:40
- So if I do the bad, let's see what's
a good angle for you. - 02:44
- I'll step side and to pivot her, if I do this,
she's not turning. - 02:49
- You want to think of a beautiful jewel
- a wonderfully valuable top. - 02:53
- And so it's about going around her axis like this.
- 02:59
- So as I step side here, after I change weight,
I pivot her by going around her and we step. - 03:06
- And then here, once again I pivot her by
going around and stepping. - 03:11
- So it's not this motion, but rather this motion.
- 03:16
- And for the followers what happens is, when you step forward,
you don't get all the way. - 03:21
- So if I'm being the girl and she is the guy -
- 03:25
- N: I could do a good bad
D: I know you can, you just wouldn't like it. - 03:28
- So if I don't get all the way over the foot
and then I try to pivot... - 03:32
- It doesn't look so good and then we pivot again.
- 03:35
- And that's because I'm pivoting,
not being on my weight. - 03:38
- So if you shift all the way over
and then you pivot, - 03:42
- You shift all the way over
and then you pivot, - 03:44
- Then you know it's vastly better.
- 03:48
- So think all the way.
- 03:50
- So the Front Ochos can lead to a lot of cool things.
- 03:53
- So, for example.
- 04:01
- I was going to say, we taught this one in class but,
we didn't teach those in class. - 04:09
- So we taught that last one in class today.
- 04:12
- And then also - well here,
a few more. - 04:14
- I'll do some with a ballet bar
and I want you to imagine - - 04:17
- You can do this with a counter as well.
- 04:19
- I'll talk more about that shortly.
- 04:21
- However - so you can imagine
that you step over. - 04:35
- And you can do stuff.
- 04:36
- But the point is that, you can use this like
your kitchen counter too. - 04:46
- But there's a right way to practice
using your kitchen counter. - 04:48
- And if you use your kitchen counter,
here I'll show you on the other side - 04:53
- If you leave your hand right here
and then you do your Ochos, - 04:57
- Do you see how the hands
pull me off balance there? - 05:00
- So you want to think you let your hands
slide with you. - 05:02
- So you can practice at home. But make sure the hands slide
and they don't distort your body. - 05:10
- So, on that note.
