Elementi iniziali di miscelazione - Interrompere il Basic con Ochos Front - Più pratiche

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Principalmente per i seguaci: In principio, per i seguaci, sta imparando a seguire ogni movimento. Un seguace non segue un ocho di base o frontale, un seguace segue un passo laterale o un perno. È molto sul fatto che sia presente nel momento e non su quello che pensi di fare in futuro o di quello che ha portato in passato.

Quando sei molto avanzato e se sai cosa sta facendo, questo non cambia quando ti segui, ma ti informa come seguirai. Allora sapete esattamente dove dovresti passare per questo movimento particolare.

È una cosa sottile, perché non vuoi togliere dal leader nella sua capacità di suggerire esattamente dove stai andando a passo. Tuttavia, spesso volte, non dice esattamente un punto, ma sta portando ad una zona e, in quella zona, puoi scegliere.

Nome dell'artista:
Aníbal Troilo
Titolo Canzone:
Seleccion de tangos de Anibal Troilo
Titolo album:
Como Yo Lo Siento
Sito web dell'artista:
http://www.troilo.com.ar/

(Wikipedia): Anibal Troilo è stato un bandoneon player, compositore, arrangiatore e bandleader in Argentina. La sua orquesta tipoica è stata tra i più popolari di ballerini sociali durante l'età dell'oro del tango (1940-1955), ma è cambiato in un suono di concerti alla fine degli anni '50. L'orchestra di Troilo è meglio conosciuto per i suoi strumentisti e anche registrato con molti vocalisti.

00:05
For those who would like...
00:06
..we’re going to show those three steps
that we just did in the previous chapter.
00:09
We’re going to do them slowly...
00:11
..so that you have time to follow along with us
and see each place broken down.
00:18
So this is the first one where we,
not chronologically but stepwise...
00:22
..we're going to do it on Step 3 of the Basic.
00:24
So we have one, two, three.
00:28
Now how do you get into front ochos?
He changes weight and pivots her.
00:32
So I’m changing weight and pivoting her...
00:36
..and then we step side, pivot.
00:42
And so for the leaders,
if you watched that...
00:44
..you’ve got side, forward, forward...
00:49
..I stopped just a hair early,
so she doesn’t cross.
00:53
I start pivoting her and changing wait.
00:57
And then we can go into that front ocho.
01:00
For the followers, this actually is
an opportunity for a beautiful embellishment.
01:19
Let’s do that one, one more time.
01:36
When we talk about waiting,
and we talk about active waiting.
01:39
Waiting is really harder than it seems
for the follower.
01:42
It really just means
exactly what it sounds like.
01:45
We stand tall on whatever ball of the foot
the man put us on...
01:48
..or the leader put us on
and then we let him do us both.
01:53
And when we get so that we can really do that...
01:55
..it makes everything so much easier.
01:57
Yes.
01:58
So we’ll do the second variation now.
02:01
This was at the cross, side, one, two, cross.
It’s the fourth step.
02:06
Now once again I’m going to change weight
and then I’m going to pivot her...
02:09
..and she’s going to pivot on her left foot,
the crossed foot..
02:13
...and there are our ochos.
02:19
And then, if we want, you can go straight
back to that tango close.
02:24
For the leaders, the thing I want you to think about,
two things actually.
02:28
One is, like every other step...
02:30
..make sure she’s on the ball of that foot
and then just pivot her.
02:33
Even though she’s in a cross,
she still can.
02:35
And I want to make that point
for the followers too.
02:37
That, just because she’s - get in the cross now,
right there.
02:39
She’s on her left foot.
So it’s funny, but she can still pivot...
02:43
..and it’s actually once again
a beautiful embellishment.
02:47
A lot of wonderful things come out of the cross.
02:49
So let’s do that again.
A new angle actually.
03:01
I change my weight, not her’s.
03:04
There’s that pivot.
03:16
And now our last combination,
which was after the cross.
03:20
Here, new angle. Why not?
03:23
So we went side...
03:29
And now I change my wait, not her’s.
03:39
Or again.
03:48
After the cross, I change my weight not her’s,
pivot her...
03:51
..and we once again into the front ochos.
03:56
And so once again I want to emphasize
that the transition is just that.
03:59
For the follower you wait and you pivot.
04:01
And even if you’re in a cross like this...
04:03
..whatever direction he pivots you,
you pivot that way and then you can go.
04:07
Or even if you’re going to a cross like this...
04:11
..you can still go in whatever direction
he takes you.
04:13
And for the leaders, that really is, wherever you are,
you change your weight not her’s...
04:17
..and you pivot her.