Condurre - Movimento rotativo

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Pensate un po 'di tempo sull'immagine: il modo in cui farebbe uno spin top. Oppure, se voleste girare una ruota, il modo in cui potresti raggiungere con le braccia e girare la ruota che ti circonda. Le dinamiche sono estremamente diverse e estremamente chiare. Potremmo persino suggerire di provare questo nella vita reale, supponendo che si possa trovare una ruota sufficientemente grande all'interno del quale si può stare.

Ora pensi un po 'di più. Ci rendiamo conto che la maggior parte delle persone dirà solo "yup. Lo ho capito". subito. Ma, anche se capisci l'idea, vogliamo che tu pensi a qualcosa di più, finché non sia stirato nel tuo cervello. Solo allora, aiuterà il tuo vantaggio.

Nome dell'artista:
El Club de Tobi
Titolo Canzone:
Eleanor Rigby (Tango Para Eleonora)
Titolo album:
Anselmo
Sito web dell'artista:
http://www.elclubdetobi.com.uy/

(Parafrendo il sito web): interpretano la musica popolare usando strumenti in maniera classica.

00:04
Leaders, this chapter is about distinguishing between two types of rotational movement.
00:10
One type of rotational movement is when you're pivoting her on her axis.
00:17
And then, she can pivot. Yay.
00:20
And a different type of rotational movement is when you're the spoke on a wheel. And you're taking her around you.
00:28
D: Roughly speaking, this is something very similar to what we discussed in leading the molinette.
N: Right.
00:35
If I want to pivot her on her own axis,
00:38
Then, in some sense, my left side has forward pressure, and my right side has backward pressure.
00:42
D: Or visa versa.
N: Or visa versa.
D: Yeah. Great minds.
00:48
D: So, then, that can pivot her, one way, or the other, regardless of what foot she's on.
N: Right.
00:52
A different thing is if I'm here and I go around my own axis.
00:59
And so, I want you to actually just do this, right now, with someone. Or, if there's no one here, then, you know...
01:05
N: Pretend you've got someone.
D: Pretend you've got someone.
N: It'll if you don't move your arms to your shoulders.
01:10
And then, you know, next time you have someone - try it with them.
01:13
And, I want to illustrate, that a lot of, not all, but most,
01:17
Of the typical things we'll do in tango, boil down to one of these two things, with most of the rotational movement.
01:21
So, if we do, for example, front ochos. Or, back ochos. It's the same.
01:27
This first pivot is around her axis. And then, we step. And, once again, it's around her axis.
01:35
If we do media vuelta,
01:40
This is the second kind of rotation where it's around his axis.
01:45
And then, translational for her. And then, around her axis.
01:49
N: Or, molinette.
D: Or, molinette.
01:53
Let's say we start forward.
01:55
So, this is around my axis. Then, I pivot her around her axis.
01:59
Then, it's around my axis. Then, I pivot her around her axis. Then, around me, then, around her.
02:04
Around me, and then, around her. Roughly speaking.
02:07
But the biggest picture of that is that I'm working... I'm going in a circle, around him.
02:14
Where I'm the spoke of the wheel.
02:17
N: Well, actually, the spoke is the thing that sticks out.
D: Oh, it is? What's the center called?
N: The center.
02:22
D: Where I'm the center of the wheel.
N: Right.