La tua prima danza - Frontale Ochos

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  • Per sottolineare: Per i leader, date tutto il tempo che ha bisogno e ti darà tutto quello che ti serve. (In questo contesto, ciò significa veramente, aspettare che la donna finisca di pivot prima di chiederle di avanzare).
  • Per sottolineare: Per i seguaci, attendi che lui ti perforca e ti passi - è ascoltando che diventiamo profondamente insieme.
Nome dell'artista:
Anibal Troilo
Titolo Canzone:
A Fuego Lento
Titolo album:
A Fuego Lento

Anibal Troilo aveva uno stile piuttosto lirico ed è dell'epoca d'oro della musica tango (metà degli anni trenta fino alla metà degli anni '50). Una delle persone più comuni da ascoltare suonava a Milongas.

00:05
Front Ochos; looks like this...
00:16
Different angle.
00:25
So, we'll break it down.
00:27
It begins with a side step and then a weight change,
for the guy.
00:31
And ladies you just step side and stay there.
00:33
And we wait... just like that.
00:40
There's the side step.
Here's his weight change.
00:43
And the way that she knows not to take a weight change;
00:45
If you look at my right arm,
I'll step side.
00:49
Now when I take my weight change,
my arm doesn't move.
00:52
If I go side like this and then I move my arms,
she'll weight change with me.
00:57
So I have to make sure
the forearm doesn't move.
00:58
That's the beginning; side,
he changes weight.
01:04
After that, we have a pivot rotating through his abs,
she's on the ball of her foot and a step.
01:09
A pivot and a step.
01:14
We'll do three of them for now.
In practice you can do any odd number.
01:17
Between two and four.
01:19
Ladies, when you step side, I want you to think that
you stay very long and tall, on your right side.
01:25
So you have this length here and then he pivots you
and then you go.
01:29
And when you go make sure you shift all the way,
to the ball of the foot.
01:34
All the way over and then you pivot again.
01:35
So for the ladies you have, side,
he changes, she doesn't.
01:40
We have this pivot. She's on the ball of her foot.
01:42
She steps forward all the way over
and then pivots.
01:49
Oh and I pivot a lot.
01:52
And at the very end, I'll pull her to face me.
01:54
She thinks not of pivoting, but of standing still
and then he'll motivate the pivot
01:58
and create this turn through the rotation of his midsection.
02:16
There are also a few things that
we don't want you to do.
02:18
D: So moving to a new topic
N: Oh
02:20
Yeah, the bad ones.
02:21
I'm not going to like this part.
02:23
So for the guys, when you're leading,
you don't want to think you're steering a ship.
02:28
So it's not - it's not like this.
02:29
This isn't how you get her to do Ochos.
02:31
This is you, steering into the Rocky Shores
and the ship disintegrates.
02:38
Mom's like "Bad imagery."
02:40
So if I do the bad, let's see what's
a good angle for you.
02:44
I'll step side and to pivot her, if I do this,
she's not turning.
02:49
You want to think of a beautiful jewel
- a wonderfully valuable top.
02:53
And so it's about going around her axis like this.
02:59
So as I step side here, after I change weight,
I pivot her by going around her and we step.
03:06
And then here, once again I pivot her by
going around and stepping.
03:11
So it's not this motion, but rather this motion.
03:16
And for the followers what happens is, when you step forward,
you don't get all the way.
03:21
So if I'm being the girl and she is the guy -
03:25
N: I could do a good bad
D: I know you can, you just wouldn't like it.
03:28
So if I don't get all the way over the foot
and then I try to pivot...
03:32
It doesn't look so good and then we pivot again.
03:35
And that's because I'm pivoting,
not being on my weight.
03:38
So if you shift all the way over
and then you pivot,
03:42
You shift all the way over
and then you pivot,
03:44
Then you know it's vastly better.
03:48
So think all the way.
03:50
So the Front Ochos can lead to a lot of cool things.
03:53
So, for example.
04:01
I was going to say, we taught this one in class but,
we didn't teach those in class.
04:09
So we taught that last one in class today.
04:12
And then also - well here,
a few more.
04:14
I'll do some with a ballet bar
and I want you to imagine -
04:17
You can do this with a counter as well.
04:19
I'll talk more about that shortly.
04:21
However - so you can imagine
that you step over.
04:35
And you can do stuff.
04:36
But the point is that, you can use this like
your kitchen counter too.
04:46
But there's a right way to practice
using your kitchen counter.
04:48
And if you use your kitchen counter,
here I'll show you on the other side
04:53
If you leave your hand right here
and then you do your Ochos,
04:57
Do you see how the hands
pull me off balance there?
05:00
So you want to think you let your hands
slide with you.
05:02
So you can practice at home. But make sure the hands slide
and they don't distort your body.
05:10
So, on that note.
Serie:
La tua prima danza
tag:
Principiante, ocho, Frontale Ocho, Vocabolario di base
Sono nuovo al tango. Dove dovrei cominciare