Elementi intermedio - Gancho

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Per i leader:

  1. Si tira indietro a causa dello slancio che lei le dà indietro.
  2. Fermatela quando è equilibrata sulla gamba posteriore.
  3. Assicurati che il tallone destro sia in alto.
  4. La tua gamba destra si è rivelata.

Per i seguaci:

  1. Tieni il busto verticale (è difficile).
  2. Il gancho avviene per la prima volta nella parte posteriore della coscia.
  3. L'accento è in cima al calcio.
  4. Quando torni indietro, girate i fianchi in modo che sia facile colpire la coscia del leader.
  5. Raccogli le cosce, i polpacci e le caviglie mentre la gamba torna al calcio e quando la gamba esce dal calcio per avanzare.
Nome dell'artista:
Fleurs Noirs
Titolo Canzone:
Urbano
Titolo album:
Rough Guide To Tango
Sito web dell'artista:
https://www.facebook.com/FLEURSNOIRESTANGO

(Traduci dalla pagina myspace): undici musicisti che hanno guadagnato il titolo di nobiltà artistica.

00:04
We’re going to show you a gancho now and
this is the kick between the legs...
00:08
..which is what you do to impress your
non tango dancing friends
00:11
You’ll see it often on ‘Dancing with the Stars,’...
00:13
..'So You Think You Can Dance’, things like that.
00:20
It starts just with a Freno,
that we just taught in the last video.
00:39
And it looks hard and it is.
00:42
To break it down:
so you start with the exact same freno.
00:47
Once again we wait for the followers to walk over.
00:49
When they walk over right there,
I’m going to adjust my back leg.
00:53
And there are two places you can put it.
00:54
Just put it behind.
00:56
Okay and I’m going to put it
in the easier place.
00:57
Right.
01:01
So after she walks over,
you’ll see that I pull my right foot out…
01:04
..and place it a hair
behind her right heel.
01:08
Not under her right heel.
01:10
Not under her right heel.
01:14
So right there on my right foot -
actually let’s do this angle.
01:16
After she walks over,
I’m going to bring my foot out and behind her leg.
01:21
I'm going to pop my heel,
so you see how my knee created all this space.
01:26
I’m going to turn out in my right hip socket.
01:28
This will give her a lot of room to kick here.
01:31
So if I keep my leg like this there’s no room.
She might hit my shin.
01:35
But if I pop my heel and I turn out, then there’s lots of room.
01:40
For the followers as you do this, after you walk over…
01:44
..you want to think that you’re going to
turn your hips away from him.
01:47
And then go back with your thigh, your foot and then come back.
02:00
For the leaders,
there’s this instinct…
02:03
..that to get her to gancho
you want to take her far back...
02:07
..and so you end up doing something like this.
N. Ah! David.
02:09
Sorry.
02:11
Right? So if I have the lady here,
she’s balanced, she walks over...
02:14
..and then I take her way over here
to get her to gancho.
02:16
She’s going to end up falling that way.
02:18
So if she’s balanced right over here -
when she’s standing and before the freno...
02:24
..and she walks over,
then you want to bring her back only to here.
02:28
So you give her this throw back.
02:30
But then you catch her while she’s balanced on her right leg.
02:33
So if I’m the lady, I’ll walk over and
they’ll send her back with a lot of momentum to here.
02:39
But notice not further back because then I’d be falling.
02:43
So it’s here, back, bang.
02:48
So for the leaders think that you’re giving her a
backward momentum to say...
02:51
..“Go” and then bring her back.
02:54
But she can only go back to her heel.
02:56
Now for the followers
there’s this horrible thing that…
02:59
..I guess I like to talk about horrible things,
as it come up over and over in videos.
03:03
There’s this horrible thing that happens
for the followers.
03:05
I’m a follower now.
03:07
That after they go to gancho they’ll go…
03:09
..bang and there’ll be this horrible rickochet,
vibration in their body.
03:15
So I want you to think the upper torso is still…
03:21
..and that it’s in the leg.
03:22
So if we just show it from a few angles.
03:33
And that was the ultimate placement.
I’ll put it in place we taught now.