संभावनाओं का काम करना - टैंगो संभावनाएं: देखो

टिप्पणियाँ
संगीत
प्रतिलिपि
टैग

एक चीज जो अधिक गंभीर हो जाती है जो वास्तव में शांत और वास्तव में मजेदार है, यह है कि आप नृत्य के क्षेत्र में जीवन के अन्य क्षेत्रों में क्या सीख रहे हैं, इस बारे में आपको समझना शुरू हो गया है। कभी-कभी, यह वास्तव में स्पष्ट है, इस वीडियो की तरह। या कभी-कभी, यह एक बेहतर सार्वजनिक स्पीकर बनने और दर्शकों को प्रभावित करने और अधिक स्नेही कैसे होना सीखने के लिए आपके शरीर का उपयोग करना है। समय के साथ, यह भी प्रभाव डालता है कि आप अपना जीवन कैसे जीते हैं (स्पष्ट तरीके में और सूक्ष्म अद्भुत तरीकों में भी)

संभावनाएं

कलाकार का नाम:
Zully Goldfarb
गीत शीर्षक:
A Shpilgueton
एल्बम शीर्षक:
De Donde Viene Mi Voz
कलाकार वेबसाइट:
http://www.zully.com.ar/

महान प्रामाणिकता के साथ स्पैनिश और येदी दोनों भाषाओं में कॉम्प्लेक्स टंगोस गाया गया।

कलाकार की वेबसाइट से एक एल्बम के बारे में: जर्मन कैबरे से ब्यूनस आयर्स टैंगो स्थल तक पिरेरबैंडिन की कहानी बताती है, और टैंगो के साथ यह पारित नियति, और गलतफहमी, प्रेम, और भूल जाते हैं कि हम अर्जेंटीना के रूप में पहचानते हैं ।

00:05
This is the tango look.
00:12
Well, not really.
00:13
Eh, it could be.
00:15
The idea is to take anything that you do, and then make it look tango.
00:20
Nancy: So what would that be?
David: So, for example, let's take
00:24
An example we had before, just being silly, where we had her bicycle.
00:28
And then I'd bicycle.
00:30
Why are you calling that silly? I think it's very serious.
00:33
I love you.
00:34
But if I do it like this, then, you know,
00:35
She goes, I go, she goes...
00:39
That's, eh, OK.
00:41
But in the upper body - nothing special is happening, so...
00:46
So, we do the same thing, but notice first our hips come very subtly towards each other.
00:51
And then, as I lead her, in my upper body I'm towards her, and she's towards me.
00:55
So, in the face, there's this look.
01:00
It's this slight angling towards.
01:02
So, it's a slight angling towards, I'm not here in his face, into his eyes,
01:05
I'm trying to get into his face, but not quite succeeding.
01:09
And I realize, I forgot,
01:11
I was going to give an example of lead from our previous exploring.
01:15
So, I'll say that in this chapter, and it can be an extension of the earlier chapter.
01:19
So, when I'm leading her to do that bicycle,
01:21
Right here, I'm saying to her:
01:24
"Come in, up, over".
01:25
So, if you watch this hand, it goes in, up, over, in, up, over.
01:32
David: So, it was led, actually, this time.
Nancy: It was.
01:35
It was, I didn't really know what he wanted me to do in the beginning.
01:38
And it can be any direction, this look.
01:40
So, I could be facing away from her, right? So we could be here,
01:44
Give me your hand too, just in case.
01:46
So we could be here, and then you'll see my upper body, my upper back goes back to her.
01:51
So, even though the face is away, I say, "Oh".
01:54
Instead of saying, "Oh".
01:56
Here, I'm just away.
01:58
Here, I'm away, but about her.
02:03
So, wherever you are, I want you to think,
02:05
That it's not that you're just away, it's that you're - away.