Creación de Magia - Hacerlo con su cuerpo entero

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Bailando con tu cuerpo entero

Nombre del artista:: Ruth Roshan
Título de la canción:: Last Drive In Marseilles
Título del álbum:: Tango Noir
Sitio Web del artista:: http://www.ruthroshan.com

Del sitio web: En Tango Noir, el segundo album luego de "Darling ... Keep it to Yourself", Ruth utiliza los ritmos del cabaret, el tango, la habanera y el vals. Ruth infunde con éxito una atmósfera de Berlín en los años 30 para crear música nueva y nostálgica a la vez. Es un disco agradable y muy placentero al odio.

00:20: So, I think it's fitting to start with a foot shot
00:23: In a video that's going to talk about doing things with your whole body.
00:28: So, we say this often, because it's really important. And it is, definitely, a metaphor for life: when you do something - mean it.
00:35: When you want to do something in dance, dance with your whole self.
00:40: And so, I'm going to just throw a lot of different things out there.
00:43: D: I tell people, "I want you to walk". And sometimes, people walk like this. I'm going to exaggerate.
N: There'll be so many people walking things.
00:50: No, this is not that bad. This is a good... a "good" walk. Not a great walk, but a good walk.
01:00: D: Yeah, maybe good is to strong. But it's not bad.
N: I think good is too strong.
D: But it's not bad.
01:08: And so, instead of that, I want you to say...
01:13: N: See how he engaged his whole body to move?
D: So that the beginning of this walk is not flat, "Oh, I'm walking".
01:20: It's... "Oh, I'm walking".
01:25: And, for what he's really doing, he's exaggerating a little bit, in order for you to be able to see it.
01:29: And do it... Do it like you'd really do it. He's got a beautiful regular walk.
01:35: K, see? That moment of engagement with his body?
01:41: Or, for example, there's the wrap. And, if I'm the leader, and I'm asking her to wrap around me, so there's that hook,
01:47: I say... We go, I stop her, and I say... And, we hook.
01:53: And I don't want you to pay attention to the hook in the foot, which is the instinct.
01:56: I want you to pay attention to the way the upper body is engaged. The way the upper body goes...
02:00: D: And, we hook.
N: So, see, right here.
D: So, there's this.
02:05: D: There's, actually... There's all of this. There's everything. There's this.
N: And that was our point.
02:11: D: If... So, once in a while, I'm silly in class.
N: Nah.
D: Almost never.
02:16: D: And...
N: David's never silly.
D: And, I'll say...
02:24: You don't want to have your default kiss be like this. Where it's only your lips.
02:30: I mean, can you imagine kissing someone, and this is what they did?
02:33: I mean, it's something. But, I mean, let's imagine you're deeply, romantically, passionately involved.
02:37: And that's all you do. That's no fun.
02:39: Almost, I'd say, that the kiss should be... And this is not true, but I'm going to say it, anyway.
02:45: D: Almost I'd say the kiss should be the least important part. That, before that, you've got...
N: Oh, the build-up.
02:53: Right? And there's all of that. It's not, "muah", you're done.
02:56: And that build-up, where does that come from? Well, if you watch, in my whole body, I'm going, "Ah!".
03:06: And so, all of this is happening. And it's not about the lips. It's about everything.
03:11: Everything is always about everything.

Serie:: Creación de Magia
Etiquetas:: Conexión, Técnica, Romance, Secretos místicos

Creación de Magia - Hacerlo con su cuerpo entero

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