Conexión - Creando química a la distancia

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Una cosa que David sí recordó decir es que se ve mucho mejor si tienes una buena postura y una cara "amigable". Si haces las cosas de este capítulo con una mala postura y una sonrisa en tu rostro, entonces será extremadamente espeluznante en lugar de estar extremadamente lleno de química.

La diferencia que puede tener esa postura a la hora de cambiar el mensaje, cuando todo lo demás es igual, es realmente bastante notable. Quizás grabemos otro vídeo al respecto.

Nombre del artista:
QTango
Título de la canción:
9 de Julio
Título del álbum:
It Takes Q To Tango
Sitio Web del artista:
http://www.qtango.com/

(Desde el sitio web): Creado en julio de 2009 por Erskine Maytorena, un músico de tango de la tercera generación y cantante de ópera, QTANGO realiza arreglos auténticos de tango argentino cada dos o tres veces a la semana en todo el Suroeste, orientados a bailarines de tango y oyentes.

00:06
So, in this chapter, we're going to talk about creating chemistry through distance.
00:11
And, we're going to dispel two myths, or at least, make progress, dispelling them.
00:15
The first myth, is that...
00:19
You know, if you're closer, there's more chemistry. And it's not really that simple, that closeness equals chemistry.
00:23
And the second, is that chemistry is something that's either there, or it's not. And, while, you know, there's something there about that.
00:30
It, definitely, is also, to a larger extent than most would believe, something that can be learned.
00:36
So, to dispel the first myth that closeness equals chemistry,
00:42
D: You feel the mad passion? I hope not.
N: I don't think so.
00:47
So, it's not just about distance. But the first principle is that it's about the consciousness of the distance.
00:53
So, as that, as you're changing the distance, I'm aware of being here, of being here, of being here.
00:58
And that, as every micron of movement and distance changes, I'm aware of every bit of it.
01:05
So, the first point is that there's this awareness of distance.
01:09
The second point is that people tend to wimp out.
01:12
You say, "Have chemistry", and this is what students do. We talk to them, you know, this is what you have to do.
01:17
And they do something like this. They're great, they're great, they're great... "Oh my God, can you believe we're doing this?"
01:23
And then, right about the middle, then... And they giggle madly, because they can't take it. So, don't wimp out. Take it.
01:31
So, as we go - we'll go. And we'll keep going, and we'll keep going, and we'll keep going. And we'll keep going.
01:38
Right? At no point does it give. You can giggle when it's done. Yeah, wait three minutes, then start giggling.
01:45
Final point. Take your time.
01:49
D: So, the instinct is to say, "Alright, chemistry. Huah!"
N: Ha-ha!
01:53
And, what the ladies do is they go something like this, "Whaa". Which is not good.
01:59
So, take your time. So that it can build.
02:03
So, if I do this once to the camera. I want you to be aware of my movement, as I go from here...
02:17
And, I mean, that little bit of movement - that's a lot.
02:20
So, take advantage of the fact that moving from here... ...to here is something we're trained to really feel.
02:29
On that note, right now, stop. And do it. So, just pause the video camera. Do it.
02:37
Alright. So, you've done it. My first observation is that, almost surely, you did it too fast.
02:44
It's not... This is not slow. This is slow.
02:51
And then, I begin to shift. And then, my back heel, front heel hits. And then, I begin to shift. And more. Now I'm half way.
02:59
And then, I shift over more, but I'm not there. And it keeps coming.
03:02
And going, and going. And then, finally, I'm over. And I just finished taking one step.
03:07
Right? So, that's slow. It is not, bang - you're there.
03:11
But I want to make two interesting asides, that are tangentially related.
03:14
And the first is that I'm aware, when I'm dancing with a new partner, of the psychological distance.
03:21
And, as we dance... if she's someone, you know, we don't know each other, I'm not going to be, like, "Whaa, you, here".
03:28
She'll be, like, "Whaa, maybe not. These tango dancers are crazy."
03:32
So, instead, as I walk towards her, I'm aware of keeping the psychological distance constant even as the physical distance decreases.
03:40
What that means is that, if we're here and I'm looking straight at you...You're my partner now,
03:45
As I walk to embrace you, you'll see that my gaze will drift to the side.
03:51
And, by everting the eyes and the face, I make the psychological distance less.
03:56
Even as the physical distance comes in. And so, they, sort of, counteract each other.
04:00
The other idea is that it really is about the direction of your energy.
04:04
So, that, as I'm here, if I'm like this, and she's over there,
04:10
You don't know... If you saw a picture that was cut right here, and you saw only me, you wouldn't know that she was there.
04:15
If I was like this, you'd say, "Oh, someone's there. And that's pretty important someone, too." But also, I could be like this:
04:24
D: And you'd also know that there was something there. A scary something. That's very scary, and powerful.
N: Some thing there.
04:31
N: Grrr!
D: Grrr!
04:32
But, so it really is about this sense of the
04:36
Way in which you acknowledge the presence of your partner, by taking your energy towards and away from them.
04:40
See? Even if I'm facing away from her, there can be the sense of, "Oh, there's someone there."
04:45
Which is, really, what I want you to think. And then, she pulls me to her magnetically.
04:51
So, this chapter was about three things, primarily. Or, there are three things I want you to remember.
04:56
The first is that we create chemistry through distance, by being aware of the distance.
05:02
The second is that you shouldn't wimp out. Right? So you're not going to walk up to someone and then burst out laughing.
05:07
In to this sort of heap. Limp heap. Which is not, like, full of chemistry.
05:12
The final thing is that, as you do this, you want to take your time.
05:17
So that it goes, and it goes, and it goes, and it builds. And it builds, and it builds. Right? Instead of, "Oh, I'm there".
05:27
The last thought I want to make
05:30
Is that, if you get to a position, you can get to the exact same position, but it will feel radically different.
05:36
Depending on how you got there. So, for example, if I ask someone to dance.
05:42
I have to get in character.
05:51
They asked to - They accept and so I get very happy.
06:00
So, that's one place. Now, let's say, I ask another person to dance. Someone I'm very comfortable with, obviously.
06:18
Now, I ended in the exact same position. But it did not feel that way.
Serie:
Conexión
Etiquetas:
Avanzado, Principiante, Conexión, Intermedio, Romance, Técnica
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