Hacer que las posibilidades funcionen - Posibilidades del tango: la mirada

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Una cosa que ocurre a medida que se pone más serio, lo cual es realmente interesante y divertido, es que comienza a entender la aplicación de lo que está aprendiendo en el baile a otras áreas de la vida. A veces, es muy explícito, como en el video o a veces, se trata de convertirse en un mejor orador público y usar su cuerpo para influenciar a la audiencia o aprender a ser más afectuoso. Con el tiempo, también afecta la manera en que vive su vida (de obvias maneras y también de manera maravillosamente sutil).

Posibilidades

Nombre del artista:
Zully Goldfarb
Título de la canción:
A Shpilgueton
Título del álbum:
De Donde Viene Mi Voz
Sitio Web del artista:
http://www.zully.com.ar/

Tangos cantados en español y en yiddish con gran autenticidad.

Desde la página web del artista acerca de un álbum: Cuenta la historia de los piringundines, desde el cabaret alemán a la sede del tango en Buenos Aires, y con el tango que nos llevará a través de una historia de destinos cruzados, malentendidos, amor, y olvido todo aquello que nos identifica como argentinos.

00:05
This is the tango look.
00:12
Well, not really.
00:13
Eh, it could be.
00:15
The idea is to take anything that you do, and then make it look tango.
00:20
Nancy: So what would that be?
David: So, for example, let's take
00:24
An example we had before, just being silly, where we had her bicycle.
00:28
And then I'd bicycle.
00:30
Why are you calling that silly? I think it's very serious.
00:33
I love you.
00:34
But if I do it like this, then, you know,
00:35
She goes, I go, she goes...
00:39
That's, eh, OK.
00:41
But in the upper body - nothing special is happening, so...
00:46
So, we do the same thing, but notice first our hips come very subtly towards each other.
00:51
And then, as I lead her, in my upper body I'm towards her, and she's towards me.
00:55
So, in the face, there's this look.
01:00
It's this slight angling towards.
01:02
So, it's a slight angling towards, I'm not here in his face, into his eyes,
01:05
I'm trying to get into his face, but not quite succeeding.
01:09
And I realize, I forgot,
01:11
I was going to give an example of lead from our previous exploring.
01:15
So, I'll say that in this chapter, and it can be an extension of the earlier chapter.
01:19
So, when I'm leading her to do that bicycle,
01:21
Right here, I'm saying to her:
01:24
"Come in, up, over".
01:25
So, if you watch this hand, it goes in, up, over, in, up, over.
01:32
David: So, it was led, actually, this time.
Nancy: It was.
01:35
It was, I didn't really know what he wanted me to do in the beginning.
01:38
And it can be any direction, this look.
01:40
So, I could be facing away from her, right? So we could be here,
01:44
Give me your hand too, just in case.
01:46
So we could be here, and then you'll see my upper body, my upper back goes back to her.
01:51
So, even though the face is away, I say, "Oh".
01:54
Instead of saying, "Oh".
01:56
Here, I'm just away.
01:58
Here, I'm away, but about her.
02:03
So, wherever you are, I want you to think,
02:05
That it's not that you're just away, it's that you're - away.
Serie:
Hacer que las posibilidades funcionen
Etiquetas:
Intermedio, Técnica, Estilo
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