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- 藝術家姓名:
- Aníbal Troilo
- 歌名:
- Seleccion de tangos de Anibal Troilo
- 相冊標題:
- Como Yo Lo Siento
- 藝術家網站:
- http://www.troilo.com.ar/
（維基百科）：Anibal Troilo是阿根廷的bandoneon球員，作曲家，編曲人和樂隊主演。在探戈黃金時期（1940-1955），他的奧斯卡最受歡迎的社交舞者，但他在20世紀50年代末變成了一場音樂會。 Troilo的樂團以其樂器而聞名，並與許多歌手一起錄製。
- 00:04
- The purpose of this chapter is to illustrate the fact that
you can do anything, anywhere, anytime.
- 00:11
- And it’s really true.
- 00:12
- There is that much freedom in
Argentine Tango...
- 00:14
- ..which is one of the reason it’s a really awesome dance,
not that I am biased.
- 00:17
- So in this chapter we’re going to show
the basic and we're going to show front ochos.
- 00:20
- And then we’re going to show you
how you can interrupt the basic with...
- 00:23
- ..front ochos pretty much any time you want.
- 00:25
- So let’s do that.
- 00:29
- That thing he said about anything,
anywhere and anytime is very true...
- 00:32
- ..and it is part of what makes tango rich.
- 00:34
- But for beginners
it’s also part of what makes it harder.
- 00:38
- Yes.
- 00:39
- So if you believe us that it doesn’t matter
then it would easy again.
- 00:42
- But people really don’t.
- 00:45
- So if we talk about the front ocho, it’s side,
he changes weight, she doesn’t, then pivot.
- 00:52
- So the key point, the transition,
from a sidestep...
- 00:54
- ..which is the first part of the basic actually,
to front ochos..
- 00:57
- ..he changes weight, she doesn’t, pivot.
- 01:01
- So if we do the basic;
- 01:05
- Side, one, two, she crosses,
he changes weight...
- 01:09
- Right here, he can change weight again
and she doesn’t.
- 01:12
- And now I’m going to pivot her
towards my free leg...
- 01:17
- ..and here we are into front ochos.
- 01:22
- So we have our basic...
- 01:26
- ..and then right here I change weight,
she doesn’t.
- 01:29
- I pivot her towards my free leg...
- 01:40
- ..and now we’ll do that last half
of the basic.
- 01:45
- So we just interrupted the basic
and we inserted four front ochos.
- 01:49
- And we did it there but frankly,
we could do it anywhere.
- 01:51
- So that was on step four of the basic.
- 01:53
- Let’s do it on step three,
just to show you can.
- 01:58
- So you have side, two, three.
- 02:01
- Now right here, I’m going to change weight,
she doesn’t...
- 02:04
- ..and I’ll start to pivot her.
- 02:13
- Let’s do that again.
- 02:15
- Now I know this is going sort of fast.
- 02:17
- We’ll have another chapter
where we go through this more slowly.
- 02:21
- You could always stop us and do it behind us.
- 02:23
- Right, you can repeat it.
- 02:28
- Once again I stop and here I’m stopping her a hair early,
so she doesn’t cross.
- 02:32
- And now I change weight and pivot her...
- 02:37
- ..and there are your front ochos.
- 02:38
- I think that one is pretty cool.
- 02:41
- Yes me too, the crossover is nice.
- 02:43
- Let’s do it after.
- 02:47
- The side, one, two, she crosses,
he changes weight.
- 02:50
- We’ll take one more step, that’s step five...
- 02:53
- ..and now instead of going side, tango, close...
- 02:56
- ..he’s going to change weight,
she doesn’t. I’ll pivot her.
- 03:05
- Let's do that again.
- 03:08
- And the point of this for the leaders is that
to get into an ocho...
- 03:11
- ..all you do is change weight,
not her and you pivot.
- 03:17
- I change weight,
not her, I pivot.
- 03:19
- And now we go straight into those front ochos.
- 03:23
- And this can happen anywhere.
- 03:23
- And for the followers,
the trick is that you actively wait.
- 03:27
- D: So...
N: Well first trick is that you wait.
- 03:30
- And the second trick is that you wait with
energy in your body.
- 03:33
- The sense of bubbling and oozing.
- 03:39
- Then the minute anything happens,
you’re ready.
- 03:41
- So I want you to think that
you don’t just wait...
- 03:43
- ..but you wait actively
with energy in your body...
- 03:45
- ..lengthening the spine and
being ready for anything.
