- 藝術家姓名:
- Julia Zenko
- 歌名:
- Balada Para Un Loco
- 相冊標題:
- Tango Por Vos
- 藝術家網站:
- http://www.juliazenko.com.ar/eng.htm
我們現在最喜歡的歌手之一。
中間元素 - 包
當你跳舞，知道跳舞也是溝通（不只是說話）。同樣的方式，你可以說“你吃晚餐吃什麼？意思是“我愛你”，或者說同樣的話，意思是“我寧願不和你說話”，你也可以在探戈時說出很多不同的事情。當你做包裝時，特別明顯的是你如何溝通。你可以以心理上接近但不一定浪漫的方式做包裝;你可以這樣做：“我在跳舞，但這就是我所有的”，你可以這樣做：“我想要你現在”。
他們沒事事情是，我們不想讓你跳舞靜音，你什麼都不說。
- 00:05
- Now we’re going to show you a wrap.
This is an iconic tango move. - 00:29
- And in this wrap...
- 00:31
- ..what the leaders do is, you want to hook
with your right ankle behind her ankle. - 00:34
- So we take a large sidestep.
- 00:37
- And likewise followers,
you’re doing the same. - 00:39
- You take this sidestep
mirroring him and then - 00:41
- he’ll hold you in this
lunge line - leaders. - 00:43
- Until you’re here holding her down
in this lunge line- - 00:46
- And once again we’re just waiting.
- 00:48
- Yes. Notice for the leaders,
I’m going to turn my left foot out... - 00:52
- ..so I can shift over
even as with my arms... - 00:55
- ..I’m holding her in place,
turning my body away... - 00:57
- ..so that I can hook with my right leg.
- 01:00
- And followers, you’re just waiting
and being magnificent. - 01:02
- So that’s a really big deal.
- 01:03
- The leaders need to understand that
the followers will wait.. - 01:06
- ..however long they need to so that
they be in a perfect position for this. - 01:11
- Right?
- 01:12
- Right.
- 01:15
- And now I shift my body over,
but I don't - not hers. - 01:17
- I turn my hips away but not hers.
- 01:19
- And then there’s plenty of time to hook
with my ankle behind hers. - 01:24
- And then I shift her over her right leg
and lift up or down. - 01:31
- And when I’m saying the word up or down,
up or down... - 01:33
- ..it’s not my voice that’s leading her to lift her leg up.
N. No - 01:36
- So if you look at my right arm,
I mean verbally it does work. It’s just not the goal. - 01:42
- If you look at my right arm,
I’m going to exaggerate. - 01:53
- David
- 01:55
- The bottom line is his arm,
his right arm controls my free leg. - 02:00
- ..and he’s going to me a very little idea...
- 02:03
- and I have to give him a lot
because he gave me a little. - 02:06
- And, a point I would like to make is
that, for followers… - 02:11
- ..so this can be more invasive
or less invasive. - 02:13
- Right.
- 02:13
- So you can be madly, passionately in love or
you can be like: he's sort of okay. - 02:17
- And I’ll show you both.
- 02:21
- So this is going to be the guy’s leg,
here hooked around mine... - 02:25
- ..and when I go to rub up adjusting his neck,
you’ll see at the bottom... - 02:32
- ..my leg is along his and as it comes up,
it comes perpendicular. - 02:38
- From another angle, you’ll notice that I am staying
straight up as I do this. - 02:44
- And now, if I’m not that comfortable
with my very metallic partner... - 02:49
- ..I might drag up like this.
- 02:52
- And you’ll see that I’m not really
touching the leg very much. - 02:55
- N: Or at all.
D:Or at all. - 02:57
- On the other hand, if we’re like an item...
- 03:00
- ..it might be...
- 03:05
- ..and you know, you can’t see the blush
for the metallic sheen. - 03:11
- So you can do that at home.
- 03:13
- But what’s more the point is that
you can do it many ways. - 03:17
- So some steps we’ll do will be
more personal or less personal. - 03:21
- And I don’t want you to think that,
“Oh tango has to be this and it invades your space.” - 03:26
- So there are two things.
- 03:27
- One thing is that your sense of personal space…
- 03:30
- ..to some extent comes from inside.
- 03:32
- But there’s a second thing which is,
you can adjust steps... - 03:35
- ..to make them more or less personal.
- 03:38
- So if we show this one last time.
