關閉擁抱的簡介 - 取向關閉擁抱

Please share the site on Facebook.
Please share the site on Facebook.
註釋
音樂
抄本
標籤

作為一種風格的接近通常被認為是更傳統的,我們想花點時間來談論傳統。我們要明確表示,我們不反對傳統。相反,我們認為在考慮或決定習俗時要考慮這些海關服務的目的很重要。

我們記得在探戈上讀過一次,8計數的基本原理有3個前進步驟和後退步驟的原因是因為這個教學的空間(我認為是由胡安·卡洛斯·科普斯(Juan Carlos Copes))足夠長3個前進步之後你不得不退後轉。在阿根廷探戈中誕生了“基本”

或者坦達,其中許多感覺有一個非常有用的目的,即給予合作夥伴“相互學習”的機會,使他們能夠一起真正的舒適跳舞。泰坦達舞是與一個合作夥伴跳舞2或更多次3至5個探戈的習俗,短暫的不間諜非探戈音樂結束了與那個人的跳舞。

最初,寂寞的男人去俱樂部跳舞,他們買了門票,和一個女人跳舞一定數量的舞蹈。當他們分配舞蹈結束後,音樂變成了沒有探戈的東西,表示如果他們想繼續跳舞,他們將不得不買另一張票。 (我們模糊地記得閱讀這不是真的跳舞,更多的是感覺女人。)

美國標準鐵路測量儀(軌道之間的距離)為4英尺,8.5英寸。這是一個非常奇怪的數字。

為什麼使用這個表因為這是他們在英國建立的方式,英國的外籍人士設計了美國的鐵路。

為什麼英國人建立起來呢?因為第一條鐵路線是由建造鐵路前電車軌道的同一個人建造的,而且這是他們使用的規格。

那麼為什麼他們會使用那個量規呢?因為建造電車的人們使用了他們用於建造貨車的相同的夾具和工具,這些車輪和工具用於車輪間距。

為什麼這輛貨車有那麼奇怪的車輪間距?那麼,如果他們試圖用任何其他的間距,那麼這個車輪就會打破英格蘭的一些舊的,長途的道路,因為那是輪輞的間距。

那麼誰建造了那些古老的馬路呢?帝國羅馬在歐洲(包括英國)建立了第一條長途公路。那些道路已經被使用過。

路上的路?羅馬戰車形成了最初的路線,其他所有人都必須搭配,因為害怕摧毀他們的車輪。

由於這輛車是用於羅馬帝國的,所以在車輪間距方面都是一樣的。因此,美國標準的鐵路規距為4英尺,8.5英寸是從原始規格得出的,用於羅馬皇家戰車。官僚主義永遠活著。

所以下一次你被提交了一個規範/程序/過程,並想知道“什麼馬的一個**提出了這個? ,你可能是完全正確的。皇家羅馬軍隊的戰車被製作得足夠寬,以容納兩匹戰馬的後端。 (兩匹馬的驢子)

現在,故事的轉折:

當你看到一個航天飛機坐在其發射台上時,有兩個大的助推器火箭連接在主燃料箱的兩側。這些是固體火箭助推器或SRB。 SRB由他們在猶他州的工廠由Thiokol製造。

設計SRB的工程師們更願意讓它們變得更加繁瑣,但SRB必須通過火車從工廠運送到發射場。工廠的鐵路線穿過山上的隧道,SRB必須穿過這條隧道。隧道比鐵路軌道略寬,如現在所知道的,鐵路軌道與兩匹馬的後方相同。

所以,一個主要的航天飛機的設計特徵,可以說是世界上最先進的交通系統,是由二千年前的馬屁股的寬度決定的。你以為是一匹馬的**不重要?馬的屁股控制著幾乎所有的東西...

藝術家姓名:
Astor Piazzolla
歌名:
Soledad
相冊標題:
La Camorra
藝術家網站:
http://www.piazzolla.org/

Astor Piazzolla組成了一大堆古典音樂,完全基於探戈。我們非常喜歡跳舞他的音樂。

00:04
I didn't use to think very much of close embrace.
00:08
I thought it would make things much harder to hold to your strong center and on your axis, and that's true.
00:15
I thought it would make it much more difficult to step that long and in beautiful complex tango combination, and that's sometimes partly true
00:22
But it's also true, and the first time I danced with David like this, that was the last time I thought that I didn't think much about close embrace.
00:35
Because it sometimes can be magic in a traveling cuddle.
00:40
So we're going to teach you some videos, we have two sections of videos
00:44
series of videos about close embrace here, we've planned to film some more later on,
00:49
and our intent is to give you the technique, because it always does start with technique.
00:55
So that you can find that bliss that I'm talking about, and hopefully, we'll also hope you look good doing it.
01:03
So the first thing, as you do close embrace,
01:07
is a hold, a different kind of hold, the hold I like, frankly, I'm going to teach the one I like,
01:12
is that the follower's breast... her central line, goes ... where the leader's front and side meet.
01:19
So along this line, right here, and so her central line is right here.
01:24
So when you embrace, if she's completely sideways, you'll see that I step diagonally into her here
01:32
So we have an open theme, but we can be very close.
01:36
Sometimes people touch with their heads,
01:39
and my only advice is to take off glasses if you're going to do that.
01:43
Actually, I had a teacher, brief aside, who said: "I always dance looking to my left"
01:50
And then lady is, like, wow, you know, if you took off your glasses, then you wouldn't...
01:55
Because I always hit her with the corner of my glasses, that's why I face to my left.
01:58
So, anyway, take off your glasses
02:00
As we're here, also I want you to be aware of what steps are constrained.
02:05
So for example we can step... you can't see it from that angle... we can step just as big side-to-side as we always can
02:12
With my right arm unwrapped all the way around,
02:17
even if we go forward, the trick is to make sure your body motivates it, so that she can follow that.
02:24
If my leg goes first here - bang, I just hit her.
02:29
So I have to make sure that the body is followed with the leg, so that she can feel that.
02:34
Finally, as we do this, I want you to...
02:37
I want you to remember, that you should be forgiving of yourself. Because close embrace isn't, so you should be.
02:45
Well, and finally-finally
02:47
Finally-finally?
02:48
Yes, that we each can maintain standing up straight with a strong center inside our own axis, and still be really close.
02:56
Yeah, actually, let me show that.
02:58
Show them wrong, David. OK, I'm the leader, he's the follower.
03:02
This is what a lot of women do, they're like "Ohhh..."
03:07
Or, they come up and over
03:11
And up and over is OK, but if the butt sticks out - that's not
03:14
So it's OK to be here, but you don't want to be here
03:18
You want to be here.
03:22
So it's up to us to defend our axis, just like we always... it's always up to us to defend our axis.