- 藝術家姓名:
- Francisco Canaro
- 歌名:
- Angelitos Negros
- 相冊標題:
- Te Acordas Hermano?
維基百科以他早年的黃金時代作品而聞名，他從空的油罐裡做出了他的第一把小提琴。
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對於領導者來說：這一步需要對追隨者的理解對追隨者臀部的角度有很大的敏感性。沒有鉛和敏感度的清晰度，它可以看起來和感覺，就像你只是絆倒。
對於追隨者來說：背部光暈的親密接觸需要在臀部插座中有很大的靈活性。而在開放的擁抱中，我們說樞紐，然後直接回來，在緊密擁抱中有很少的樞軸，並通過臀部到達。如果你沒有足夠的靈活性，你可以彎曲你的站立腿，使另一條腿可以更好地切割。
- 00:04
- In the back ochos, this is actually a very different technique in close embrace an in open.
- 00:10
- And... Basically, this is because my arm is wrapped around her and she doesn't have the freedom of movement in her upper body
- 00:17
- And so there's much more use of the low back and the swing through the hips and the thighs to create the cross
- 00:22
- And the lead becomes more subtle, instead of pivoting her all the way, there's just this
- 00:28
- Here's a demo
- 00:40
- And now for the leaders, as you do this,
- 00:43
- I want you to first be aware that it's now going to turn a 180 the same way if it were an open embrace back ocho
- 00:50
- So I'm doing a sort of zig-zag with my feet.
- 00:52
- I'm going side, change, and then I'm going a little bit zig,
- 00:55
- and a little bit zag.
- 00:56
- If I'm doing it to the camera, I'm doing a little zig, and a little zag,
- 01:01
- almost as if it were like a diagonal stairstep.
- 01:03
- For the followers, notice the way she pivots in her lower back,
- 01:09
- and swings sort of in her left hip socket
- 01:11
- to find the room, and then in her lower back and in her right hip socket.
- 01:19
- As we do this,
- 01:21
- for the followers, also I want you to be really cautious not to lean back, so as you go back on that foot...
- 01:26
- Oh, boy, yeah
- 01:27
- There's this instinct to pull the leader, right, so you do it too good, and I forget what to say
- 01:33
- She's like it's a great burden
- 01:34
- Yeah, this is a tough world
- 01:38
- And otherwise it's the same, as if that's the same. Lot of things different.
- 01:43
- Try it.
