Thang máy - Dễ dàng ngồi - Di chuyển trong không khí
Một khi bạn bắt đầu nghĩ về những gì đang diễn ra trong không khí như là một phần mở rộng của những gì đang xảy ra trên sàn nhà và rằng điều này, cũng đang nhảy múa, mọi thứ bắt đầu trở nên mát hơn nhiều.
- Tên nghệ sĩ:
- Gideon Kremer
- Tên bài hát:
- Celos
- Tiêu đề album:
- Hommage a Piazzolla
- Trang nghệ sĩ:
- http://www.kremerata-baltica.com/
(Từ trang web): Kremerata Baltica, một dàn nhạc thính phòng, được tạo ra vào năm 1997 bởi nghệ sĩ violin nổi tiếng Gidon Kremer, người từng là giám đốc nghệ thuật của dàn nhạc và nghệ sĩ violin độc tấu. Chất lượng nghệ thuật cao của nhóm là kết quả của tài năng đặc biệt của các nhạc sĩ riêng lẻ và cách tiếp cận sáng tạo của Kremer đối với tiết mục.
- 00:05
- So, in the previous chapter, we went over some fundamentals.
- 00:08
- And, we gave an example of one lift. Sort of the easy lift, if you can say there's a lift that's easy.
- 00:15
- Here, though, I want to be... make you aware, that there's a lot of freedom.
- 00:19
- So, what happens is people freeze. You pick someone up, and all of a sudden, the girl can't move.
- 00:23
- Or guys, they're like this, "OK, I've lifted her, now what?". Which is not so good.
- 00:29
- So, the first point I want to make, is that, ladies, when you're in the air, you can do a lot of cool stuff.
- 00:35
- So, for example, just pick her up, and... move your legs in cool ways.
- 00:42
- Move your backs, breathe. Thank you, that's beautiful.
- 00:45
- Right? So you can do a lot of things. You don't have to be a frozen statue.
- 00:49
- And, likewise, for the guys, if I ask you to dance by yourself, you can be, like, "Oh, look at me, I'm so good! Yeah!"
- 00:56
- And then, you pick someone up.
- 00:59
- So, remember, for you too, that you have freedom. So, for example, if he picks her up, he can walk side to side. Give it a go.
- 01:05
- He can walk around. He can go down. he can go up.
- 01:12
- So, there's a lot of freedom of movement.
- 01:14
- So, let's take that, and let's modify that, step we did in the previous chapter.
- 01:19
- So, we're going to do the exact same thing, but we're going to say, "Well, you know what, she can move".
- 01:23
- So, when she comes up, she'll have: up, slow, and it'll take time. And at the same time, he can move.
- 01:29
- So, he's just going to do a triple step to the side.
- 01:38
- Right, thank you.
- 01:39
- And then, we'll say, "Well, you know what? That's not it". So, starting from here again,
- 01:44
- Not only can he move, and she move, they can also...turn. He can also turn. So, we're going to have you do a slight turn.
- 01:51
- Scoot forward, a little bit. There we go.
- 01:53
- And give it a go. Same thing, turning to your left.
- 02:02
- OK.
- 02:04
- And, what's more, let's say, that... if you can do it to one side, you can do it to the other.
- 02:09
- And so, we'll take this "simple" sit, and we'll make it a complicated one.
- 02:14
- Just by adding a little movement, a turn. We'll do the other side. Here, do other side.
- 02:28
- And then, you sit her down.
- 02:34
- So, the point, is that...
- 02:41
- When you think about lifts, people's instinct is to freeze, and to think that a lift is not dancing.
- 02:46
- "A lift is a lift, and oh, I'm doing this physical effort", and they stop dancing. Which is the complete wrong way to think of it.
- 02:51
- Your tricks are still dance. And they're still beautiful dance.
- 02:54
- And you want to think, that they have the same texture, and the same freedom, that you have in all of your other movement.
- 02:59
- And if you do this, then, all of a sudden, instead of having those cheap lifts, like those other folks, you'll have amazing lifts.