Combinações Sacada clássicos - Adv - Trading Para trás sacadas
Este passo parece legal e bastante simples quando você vê-lo. Como muitos passos, é mais difícil de fazer do que parece. Particularmente, depois do primeiro set, ele tende a perder-se se você não está realmente claro sobre o que você está fazendo.
Isso ajuda muito se seus sinais para o seu parceiro está realmente clara:
- Nome do Artista:
- Orchestra Berretin
- Título da música:
- Berretines
- Album Title:
- Electrotango Vol. 1
- Website de artista:
- http://www.tangoberretin.com/
A partir do site: (Alex Krebs) vem estudando o bandoneon desde Maio de 2001, dirigiu o tango banda "Conjunto Berretin." (com 2 CD é gravado) 2.003-2.008, e atualmente está organizando / dirigir um sexteto tango e organizar / Orquesta Tipica dirigir um para os Festivais Portland Tango em fevereiro e outubro
- 00:05
- We tell people that, if they want to impress
their non tango dancing friends,... - 00:09
- ..they should do ganchos.
- 00:10
- But, if they want to impress their friends that tango,...
- 00:12
- ..they should do trading back sacadas.
- 00:15
- It’s not quite as hard as it looks,
but it could be a lot easier. - 00:19
- I was going to say that.
N. Yeah. - 00:30
- I’m always ready to keep going with that one.
- 00:35
- So, you start just in a normal, you're facing,
beginning of dance position... - 00:39
- ..or after any of the steps we teach almost.
- 00:43
- Now I’m going to rotate my upper body
to get her to go around me. - 00:49
- And then, I’m going to pull back to stop her.
- 00:52
- So in the chest, there's
go, stop. - 00:57
- And, when I start pulling back to stop,
I’ll use that to pivot myself around… - 01:02
- ..so that my foot,
can grab that sacada. - 01:05
- Notice that my left foot is going to her left foot.
- 01:08
- Are we in the feet cameras?
- 01:09
- D: Yeah, we are.
N: Oh cool. - 01:13
- Now, most people, when they see back sacadas, both the leaders
and the followers, but especially the guys… - 01:19
- ..the guys have this image of I’m facing her
and somehow I’m going to get my foot over here. - 01:25
- "There’s no way," that’s what they say.
- 01:27
- And, really, the trick is to not face.
N. Right. - 01:30
- So, if she’s here, and then I just point back
with my leg, it's really easy. - 01:37
- And then I want you to say, “Oh okay,"
you come back. - 01:41
- But, notice my hips are actually quite far away.
And I’m just looking at her with my head. - 01:46
- And so then that makes it possible to get around
without suffering. - 01:49
- And it's the same for the followers.
- 01:56
- Now, I’m going to shift back to that left foot
and rotate to my left… - 01:59
- ..as she shifts over to her right foot
and we face. - 02:06
- And now, I’m going to step around her
and pivot her a ton. - 02:09
- A ton and a half.
- 02:13
- And then she can go back to my left foot.
- 02:16
- And then we’re where we started.
- 02:18
- As I come out of the sacada,
I’m going to push with my right arm... - 02:23
- ..which will start him back around
into his sacada. - 02:26
- Right.
- 02:30
- So right here…
- 02:32
- I’m so eager.
- 02:34
- Now, right now, I push. And then he pulls.
- 02:40
- And so, you really want to think for each of the -
both people in the couple?... - 02:46
- ..for each person in the couple
that, as you take that side step,... - 02:49
- ..you really want to go a little bit wide and way around
and reach around with your right hand. - 02:54
- What he said was really important,
you want to take big side step. - 02:57
- So, in slow motion.
- 03:00
- If I do this,
it’s relatively easy. - 03:03
- If I do this.
- 03:05
- Let’s do it this way to the camera,
so they could see my suffering. - 03:07
- Okay, I'm all for them seeing your suffering.
- 03:10
- If I do this, it's really hard.
- 03:14
- If I give him more space,
my body's out of the way - 03:18
- And it gives him a lot more chance.
- 03:21
- And then likewise,
right here I'm going to step more around her. - 03:24
- D: You were on your right foot.
N: I knew that. - 03:26
- So I step around her, to get her to have the chance
to pivot and go through me... - 03:33
- ..with my body being out of the way.
- 03:36
- Let's do it across the floor.
- 03:37
- I was just so jazzed we could do that.