Vals Essence - Como pairar e quando liberar

Achamos que isso é parte da razão pela qual valsas são considerados romântica: essa idéia de ser fora de equilíbrio e gostando.

Nome do Artista:: Q Tango
Título da música:: Desde El Alma
Album Title:: Live Four QTango
Website de artista:: http://www.qtango.com

A partir do site: Criado em julho de 2009 por Erskine Maytorena, um músico de tango e ópera cantor terceira geração, QTANGO realiza autênticos acordos de tango argentino em todo o sudoeste, com vários passeios, incluindo aparições em Los Angeles, San Francisco, Sacramento, San Diego, Tucson, Sedona, Las Vegas, El Paso, Santa Fe e Albuqeurque. Especializada na música do tango tradicional da "Idade de Ouro" das grandes orquestras de tango argentino, música dinâmica e poderosa do QTANGO mantém dançarinos no chão e ouvintes fascinados. Cada canção é uma novela; uma história de amor, traição, desespero e esperança. Músicos de QTANGO dar ao público uma experiência única e íntima, uma ressonância acústica única uma orquestra pode fornecer, uma viagem para o romance, paixão e elegância de tango. Quer passear como um quarteto ou a realização de eventos de gala com mais de 14 músicos, cada apresentação é sofisticada, envolvente, nostálgico, e em movimento.

00:04: So, ballroom waltz has a lot of things that I like about it.
00:07: But the styling for tango vals and ballroom waltz is a little different.
00:11: One thing that I want us to use, but with a different styling, is the sense of hover, of suspension, and then going on.
00:17: So, my learning of ballroom is more from watching channel 8. But that said, I'll show a bad version.
00:25: I'll show my version, which is not trained.
00:27: He knew I was going to get on that bad thing.
00:30: But, so, for example, there's this sense that you're, you know, up and away,
00:33: And then you go up, and then fall, and then up, fall on. Then you hug.
00:42: And I want us to think that, maybe we'll use a rise and fall?
00:45: Maybe we'll use the rise and fall, but it won't be so large.
00:50: So, instead of going... Really, if you look at my ankles,
00:52: Instead of going way up on the balls of my feet, and then coming down, into my knees,
00:58: I'm going to go... I'm going to lift up only in the body. In the body, I go up.
01:02: And I'll go maybe the tiniest bit, but not much. In the ankle, that is.
01:07: And then we'll go... Ah.
01:12: So, you'll see, that the change in level is so subtle, but it's still there.
01:16: If you look at both of us, in the close-up camera,
01:20: Here's staying the same level... And if we wanted to do, ah.
01:28: So, we do have a soft rise and fall, but half of the rise and fall, is actually about the way that we fall into the next step.
01:37: It's about the flow, rather than about the...
01:39: It's not about changing levels so much, it's about allowing our bodies to go into the step.
01:44: It's... Can you listen to the way the music kind of pulls you and then lets go.
01:50: And we kind of do that with our bodies, but we do it much more level.
01:54: David has a really cool thing he says about the dewdrop.
01:57: Right, right, right, right.
01:58: So, I want you to think, that, in this particular case, it's the movement comes out of your body, like a dewdrop, falling off a leaf.
02:07: It's here... Ah, and then it falls.
02:10: So, it's not like the dewdrop wants to fall, "Oh, I'm out of there". It's sort of, like, you know, very fast dewdrop.
02:17: I want you to mean there's one drop, it builds... Ah, and then it's off.
02:22: And it's the music that takes it off. You can hear that, in the music.
02:26: So, there's a lot of suspension. So, if we dance, I'm going to exaggerate:
02:31: One, two, three; one, two, three; and then ah whoo...

Série:: Vals Essence
Etiquetas:: Técnica, vals

Vals Essence - Como pairar e quando liberar

Conheço muitas tango e querem ir mais fundo