한 앨범에 대한 아티스트의 웹 사이트에서 : 독일 카바레에서 부에노스 아이레스 탱고 장소에 이르기까지 piringundine에 대한 이야기를 들려줍니다. 탱고로 인해 교차 운명의 역사와 오해, 사랑, 그리고 우리가 아르헨티나 인이라고 단정 짓는 것을 잊지 못할 것입니다. .
00:04
First we taught the steps. And we gave you all kinds of
explanations of just how to do them.
00:09
And then we did a take two
on each of the basic steps.
00:13
And, in take two, we gave you lots of details about
specific techniques to make the steps more beautiful.
00:19
Now we want to do a take three.
00:21
And the take three, the idea is for us to
boil down each of the basic steps,...
00:27
..many of the basic steps
into the essence,...
00:29
..the couple of concepts that make
that step special for us.
00:34
And we’re going to start with the basic,
of course.
00:37
I think, for me, the basic is about letting
the leader move through me...
00:46
..and waiting, being together at an angle
towards the leader.
00:50
And, for me, it’s much the same.
00:52
It’s about facing and then about
the sense of through.
00:57
So, if we just show that.
01:11
And each one of these sections, each of the techniques
that we taught in the take two,…
01:19
..really can come, almost all of them,
can come from these two ideas.
01:24
Two and a half ideas.
01:26
So, for example, I say, for the leaders, to pull
your right hip back so that…
01:31
..you can face your partner.
That’s about facing.
01:33
We say to bring the follower
to the ball of her foot.
01:35
That’s so that - that enables the leader to go
through her and the follower to stay forward.
01:41
Watch my foot in the cross.
01:43
When we get to the cross,
I stay all the way forward on my foot, here.
01:48
And then he pulls me back.
01:53
And that’s about the facing and it’s about
my staying and letting him move me.
02:00
For both people, for the followers, I want you to think
you really work to get in front.
02:06
Sometimes the leader arcs away from you.
02:07
This is good. This is cool.
02:09
The leader will go - here’s my lovely partner
and I’m looking over there.
02:14
Which is not right.
02:15
No no, I should be looking over here.
02:18
And see she smiles.
02:20
Yes.
02:21
And so, when I go forward, you see that I'm at her
rather than at Sally over her shoulder.
02:30
And if he's not, even in the cross,
when I cross, to the cross…
02:34
..part of the purpose of it, I think,
is to get me back in front of him.
02:39
So he’s on my side and when I cross,
I’m back in front of him.
02:46
But, as we go through all these nitpicky details,
I want you always to come back to the same thought.
