발스 에센스 - 호버 (Hover) 및 해제시기
우리는 이것이 왈츠가 로맨틱하다고 여겨지는 이유의 일부라고 생각합니다. 균형을 잃고 좋아하는 아이디어입니다.
- 아티스트 이름:
- Q Tango
- 노래 제목:
- Desde El Alma
- 앨범 제목:
- Live Four QTango
- 아티스트 웹 사이트:
- http://www.qtango.com
웹 사이트에서 : QTANGO는 3 세대 탱고 뮤지션이자 오페라 가수 인 Erskine Maytorena가 2009 년 7 월에 남서부 전역에서 로스 앤젤레스, 샌프란시스코, 새크라멘토, 샌디에고, 투손, 세도나, 라스 베이거스, 엘파소, 산타페, 앨 부큐 르크. 위대한 아르헨티나 탱고 오케스트라의 "황금 시대"의 전통 탱고 음악을 전문으로하는 QTANGO의 역동적이고 강력한 음악은 무용수를 바닥에 머물게하고 청중은 열광합니다. 모든 노래는 초보자이다. 배신, 절망과 희망의 이야기. QTANGO의 뮤지션들은 관객에게 독특하고 친밀한 경험, 오케스트라 만이 제공 할 수있는 청각적인 공명, 로맨스, 열정 및 탱고의 우아함에 대한 여정을 제공합니다. 4 인조 이상의 뮤지션과 함께 공연을 하던지, 14 명이 넘는 뮤지션과 함께 갈라 공연을하든, 모든 공연은 정교하고, 매력적이며, 향수 있고, 움직입니다.
- 00:04
- So, ballroom waltz has a lot of things that I like about it.
- 00:07
- But the styling for tango vals and ballroom waltz is a little different.
- 00:11
- One thing that I want us to use, but with a different styling, is the sense of hover, of suspension, and then going on.
- 00:17
- So, my learning of ballroom is more from watching channel 8. But that said, I'll show a bad version.
- 00:25
- I'll show my version, which is not trained.
- 00:27
- He knew I was going to get on that bad thing.
- 00:30
- But, so, for example, there's this sense that you're, you know, up and away,
- 00:33
- And then you go up, and then fall, and then up, fall on. Then you hug.
- 00:42
- And I want us to think that, maybe we'll use a rise and fall?
- 00:45
- Maybe we'll use the rise and fall, but it won't be so large.
- 00:50
- So, instead of going... Really, if you look at my ankles,
- 00:52
- Instead of going way up on the balls of my feet, and then coming down, into my knees,
- 00:58
- I'm going to go... I'm going to lift up only in the body. In the body, I go up.
- 01:02
- And I'll go maybe the tiniest bit, but not much. In the ankle, that is.
- 01:07
- And then we'll go... Ah.
- 01:12
- So, you'll see, that the change in level is so subtle, but it's still there.
- 01:16
- If you look at both of us, in the close-up camera,
- 01:20
- Here's staying the same level... And if we wanted to do, ah.
- 01:28
- So, we do have a soft rise and fall, but half of the rise and fall, is actually about the way that we fall into the next step.
- 01:37
- It's about the flow, rather than about the...
- 01:39
- It's not about changing levels so much, it's about allowing our bodies to go into the step.
- 01:44
- It's... Can you listen to the way the music kind of pulls you and then lets go.
- 01:50
- And we kind of do that with our bodies, but we do it much more level.
- 01:54
- David has a really cool thing he says about the dewdrop.
- 01:57
- Right, right, right, right.
- 01:58
- So, I want you to think, that, in this particular case, it's the movement comes out of your body, like a dewdrop, falling off a leaf.
- 02:07
- It's here... Ah, and then it falls.
- 02:10
- So, it's not like the dewdrop wants to fall, "Oh, I'm out of there". It's sort of, like, you know, very fast dewdrop.
- 02:17
- I want you to mean there's one drop, it builds... Ah, and then it's off.
- 02:22
- And it's the music that takes it off. You can hear that, in the music.
- 02:26
- So, there's a lot of suspension. So, if we dance, I'm going to exaggerate:
- 02:31
- One, two, three; one, two, three; and then ah whoo...
