당신은 많은 것을 알고 있으며 이는 당신이 갈 수 있는 다양한 방법이 있다는 것을 의미합니다. 재생목록을 만드는 것이 더 이상 간단하지 않습니다. 다양한 샘플링을 해드립니다. 아래 재생목록은 여러분이 기본적인 시작 및 중간 탱고 단계를 알고 있다고 가정합니다. 당신은 그보다 더 많은 것을 알고 있을지도 모릅니다. 여기에는 몇 가지 고급 조합, 기본 단계의 본질을 설명하는 일부 비디오, 밀롱가와 발스 각각의 일부 조합이 포함되어 있습니다. 이에 대해 더 자세히 알아보고 싶다면 더 많은 정보가 제공됩니다.

지도자의 꾸밈과 몰리 네트 - Adv - Molinette With Kicks

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일부 운동에는 운동이 아름답 기 위해 마스터해야 할 많은 기술이 있습니다. 우리가 이것을 할 수있게 해주는 방법이 있습니다.

  • 운동은 단 하나의 기술에만 집중하고 다른 것에 대해서는 걱정하지 마십시오. 그 특별한 기술이 지나치게 생각하지 않고 몸에서 흘러 나올 때까지 필요한만큼 반복하십시오.
  • 필요에 따라 다시 반복하면서 두 번째 기술에 집중하는 동작을 반복합니다.
  • 몸에 모든 것을 겹칠 때까지 개별 기술을 연습하면 운동이 자연스럽고 아름답게됩니다.

이것은 많은 시간과 헌신을 필요로하지만 많은 사람들이 한 번에 수많은 세부 사항에 대해 마음을 품을 때 정신적으로 고통스럽지 않습니다.

아티스트 이름:
Zigatango
노래 제목:
La Cumparsita
앨범 제목:
Zigatango

cd baby writeup : Zigatango는 아르헨티나 탱고와 전통 집시 음악을 재현 한 희귀 한 젊음의 감성으로, 종종 야생의 거의 악마적인 에너지와 결합 된 감정의 격렬한 노출을 재연합니다.

00:04
This is one of the harder combinations.
00:07
N: Unlike the last one we just videoed.
D: Well, the whole series.
00:11
An what I want you to think about, especially since we're going to be kicking between the legs, is the simultaneity.
00:16
The way I connect the rotation of my leg with the rotation of my body. So that there's no damage done.
00:21
After a while, we'll show those couple of steps separately, so that you can practice it to get the simultaneity.
00:30
So, it starts like a normal molinette. Our entrance's going to be side and side. Rotates through, kicks, turns. Kicks, back ocho.
00:40
So, I'll do that a little slower now.
00:45
Let's scoot over more.
00:51
Pivot around me. I shift forward as she turns... Now, right here, as she takes a step back, I take my foot around back.
00:58
And, as she shifts side, I kick.
01:01
And that's related to my pivot, right? So, as I'm pivoting her here, I'm kicking forward.
01:06
When we teach that in class, we do just that. I stand like this. And he goes back, and then, forward.
01:13
And we just do it, over and over again.
01:18
Like that.
01:20
Now, after that, I'm going to whip around, after this kick. I pivot my hip around. Whip around, boleo.
01:27
And that's going to be her forward step after that. And, as I pivot so she steps side, bang, there's another kick.
01:34
Let's do same angle.
01:43
Back; fit. Here's that whip around, for that other kick.
01:48
Now, I'm going to collect in, pivot her for back ocho, and then, go into back ocho.
01:55
N: Could we show it, just once, showing it?
D: Yeah.
02:20
Like that. Woman's part. What she's got to remember?
02:26
Follower's part. Oops, excuse me, any men, who are following. Follower's part.
02:31
On that note. Now, so if I'm the follower: side; inside leg here. Make sure you shift.
02:37
And that you pivot. And face, as you go, so it's squarely around the man.
02:43
In, tight; back. So, there's a big pivot, as always in molinette. In, tight.
02:48
And, you really want to think that you're very aware of the way your feet are related to the movement of your body.
02:53
Because that's what he's going to control your legs, by how much he pivots you.
02:58
And so, if you're going too fast with your foot, or too slow, then he'll kick you. Let's show the wrong.
03:04
OK. We do have a video on molinette, about molinette. And almost all of the techniques for that, hold for this.
03:11
N: What's the wrong you want?
D: If you step too fast with your foot, when you're going side.
03:16
So, right here... Let's scoot a little more. Right? You have to go to your foot, before your body. Yes.
03:25
N: That was what you want?
D: Yes.
N: Wow.
03:26
D: So, if you're going your foot before your body, he goes, "Bang", he kicks the foot,
N: Oh!
03:29
D: Because he doesn't expect it to be there. Your body hasn't moved at all.
N: That makes sense.
03:33
D: Showing from another angle.
N: The wrong, or the right?
D: The wrong.
03:38
Oh.
03:39
D: That wasn't bad. She's really good at the wrong.
N: I'm eager to get through the wrong is the truth.
D: So, right here...
03:45
OK, I'm lucky, but you see how I could have hit her foot. Because her body hadn't move that far.
03:49
D: So, if we're showing the right now...
N: Ha! There we go.
03:52
We're showing the right now. You'll see her body goes with the foot, so I know exactly where the foot is.
03:57
It's, actually, easier to do it moving my whole body than just moving my foot out of the way.
04:01
D: Show one last time?
N: OK.