Double Time & Traspie - Una coppia di esempi di due tempi
Molte volte, le combinazioni milonga fanno perfettamente combinazioni di tango (per uno stile ritmico del tango) con un diverso stile. Il contrario spesso non può essere detto.
- Nome dell'artista:
- Q Tango
- Titolo Canzone:
- Yo Me Llamo Juan Te Quiero
- Titolo album:
- Live Four Q Tango
- Sito web dell'artista:
- http://www.qtango.com
Dal sito: Creato nel luglio 2009 da Erskine Maytorena, musicista e cantante di tango di terza generazione, QTANGO esegue autentici accordi argentini di tango in tutto il sud-ovest, con numerose escursioni tra cui apparizioni a Los Angeles, San Francisco, Sacramento, San Diego, Tucson, Sedona, Las Vegas, El Paso, Santa Fe e Albuqeurque. Specializzato nella musica tradizionale tango dell'epoca d'oro delle grandi orchestre tango argentine, la musica dinamica e potente di QTANGO mantiene ballerini sul pianoforte e gli ascoltatori si affascinano. Ogni canzone è una novella; una storia d'amore, di tradimento, di disperazione e di speranza. I musicisti di QTANGO offrono al pubblico un'esperienza unica e intima, una risonanza acustica che solo un'orchestra può offrire, un viaggio nella storia del romanticismo, della passione e dell'eleganza del tango. Se viaggiare come un quartetto o eseguire eventi di gala con oltre 14 musicisti, ogni performance è sofisticata, coinvolgente, nostalgica e in movimento.
- 00:11
- Or again, other direction.
- 00:20
- And, you'll notice, they're really small steps, because it's fast.
- 00:23
- Just breaking this step apart, in slow motion:
- 00:28
- We've got two walks: one, two, in-line with contra-body.
- 00:33
- And then, a one, two, three... and a slow change.
- 00:39
- So, to the camera, for the leaders, I'm going one, two, a one, two, three... slow change.
- 00:49
- Away from the camera:
- 00:54
- This is half-time. Actually, is it? No, it's not half-time.
- 00:57
- It feels like half-time, because I'm stepping so slow... small. One more time.
- 01:06
- And then, for the follower, you have the natural opposite.
- 01:09
- Remember, followers, that when you do this, to keep the body forward, and to keep the thighs tight.
- 01:15
- And to hold on for dear life.
- 01:17
- David says he gives permission to hold on a little tight, when you do this; I give you permission to hold on really tight.
- 01:26
- Let's show the other one.
- 01:28
- OK. Different combination:
- 01:31
- Also double-time.
- 01:33
- What was that? Oh, right, right.
- 01:46
- And people ask me all the time, how do I follow that?
- 01:50
- N: It's really easy to lead, and it's easy to follow.
D: It's not easy to lead.
N: It is, sure it is! - 01:55
- You get down on your hands and knees before it starts, and you beg, abjectly, and they'll do what you say.
- 02:00
- D: Please, please, quick step, rock, back, side, forward, and step.
N: Yeah, it's very easy to lead. - 02:05
- Apart from that, I don't follow it. I don't even try to follow it. I just hold on for dear life, and let him move both of us.
- 02:13
- Right, because the physical connection can be very fast,
- 02:16
- Let your body react very rapidly. But the mind trying to get it is always too slow.
- 02:21
- If he moves, and then you have to think what it is he did, and then you have to try to do it, he's already moved four steps by then.
- 02:28
- In slow motion, this was:
- 02:32
- Point, and... And, actually, it's a mini rock, so I'm going to say: check, and, check, and, check, and, step.
- 02:41
- Or, you can do both sides, right, check, and, check, and, odd side.
- 02:45
- You really wouldn't do that side typically, because it's odd for the leader to go back left.
- 02:49
- Let's do one more time, two more times.