Prendi 3 - Essenza di base

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È molto importante sapere che dovresti sempre lavorare sulle tue basi. C'è uno scherzo che va ai principianti a prendere lezioni intermedie, i ballerini intermedi prendono lezioni avanzate e ballerini avanzati prendono lezioni iniziali.

Vorremmo sottolineare, tuttavia, che non si tratta solo della ripetizione. Si tratta di studiare attentamente ciò che stai facendo e dei modi per ottenere commenti per essere in grado di migliorare quello che stai facendo. L'apprendimento sta cambiando sottilmente e esplorando il movimento in modo che non sia più lo stesso.

Nome dell'artista:
Zully Golfarb
Titolo Canzone:
La Ultima Copa
Titolo album:
Ciudad De Nostalgia
Sito web dell'artista:
http://www.zully.com.ar/

Tanghi complessi cantati in spagnolo e yiddish con grande autenticità.

Dal sito dell'artista su un album: racconta la storia di piringundines, dal cabaret tedesco al luogo del tango di Buenos Aires, e con il tango ci porterà attraverso una storia di destini incrociati, e fraintendimenti, amore e dimenticare che identifichiamo come argentini .

00:04
First we taught the steps. And we gave you all kinds of
explanations of just how to do them.
00:09
And then we did a take two
on each of the basic steps.
00:13
And, in take two, we gave you lots of details about
specific techniques to make the steps more beautiful.
00:19
Now we want to do a take three.
00:21
And the take three, the idea is for us to
boil down each of the basic steps,...
00:27
..many of the basic steps
into the essence,...
00:29
..the couple of concepts that make
that step special for us.
00:34
And we’re going to start with the basic,
of course.
00:37
I think, for me, the basic is about letting
the leader move through me...
00:46
..and waiting, being together at an angle
towards the leader.
00:50
And, for me, it’s much the same.
00:52
It’s about facing and then about
the sense of through.
00:57
So, if we just show that.
01:11
And each one of these sections, each of the techniques
that we taught in the take two,…
01:19
..really can come, almost all of them,
can come from these two ideas.
01:24
Two and a half ideas.
01:26
So, for example, I say, for the leaders, to pull
your right hip back so that…
01:31
..you can face your partner.
That’s about facing.
01:33
We say to bring the follower
to the ball of her foot.
01:35
That’s so that - that enables the leader to go
through her and the follower to stay forward.
01:41
Watch my foot in the cross.
01:43
When we get to the cross,
I stay all the way forward on my foot, here.
01:48
And then he pulls me back.
01:53
And that’s about the facing and it’s about
my staying and letting him move me.
02:00
For both people, for the followers, I want you to think
you really work to get in front.
02:06
Sometimes the leader arcs away from you.
02:07
This is good. This is cool.
02:09
The leader will go - here’s my lovely partner
and I’m looking over there.
02:14
Which is not right.
02:15
No no, I should be looking over here.
02:18
And see she smiles.
02:20
Yes.
02:21
And so, when I go forward, you see that I'm at her
rather than at Sally over her shoulder.
02:30
And if he's not, even in the cross,
when I cross, to the cross…
02:34
..part of the purpose of it, I think,
is to get me back in front of him.
02:39
So he’s on my side and when I cross,
I’m back in front of him.
02:46
But, as we go through all these nitpicky details,
I want you always to come back to the same thought.
02:50
This is about facing and going through.