Prendi 3 - Essenza di base
per favore accesso per iniziare a testare le tue conoscenze!
È molto importante sapere che dovresti sempre lavorare sulle tue basi. C'è uno scherzo che va ai principianti a prendere lezioni intermedie, i ballerini intermedi prendono lezioni avanzate e ballerini avanzati prendono lezioni iniziali.
Vorremmo sottolineare, tuttavia, che non si tratta solo della ripetizione. Si tratta di studiare attentamente ciò che stai facendo e dei modi per ottenere commenti per essere in grado di migliorare quello che stai facendo. L'apprendimento sta cambiando sottilmente e esplorando il movimento in modo che non sia più lo stesso.
- Nome dell'artista:
- Zully Golfarb
- Titolo Canzone:
- La Ultima Copa
- Titolo album:
- Ciudad De Nostalgia
- Sito web dell'artista:
- http://www.zully.com.ar/
Tanghi complessi cantati in spagnolo e yiddish con grande autenticità.
Dal sito dell'artista su un album: racconta la storia di piringundines, dal cabaret tedesco al luogo del tango di Buenos Aires, e con il tango ci porterà attraverso una storia di destini incrociati, e fraintendimenti, amore e dimenticare che identifichiamo come argentini .- 00:04
- First we taught the steps. And we gave you all kinds of
explanations of just how to do them. - 00:09
- And then we did a take two
on each of the basic steps. - 00:13
- And, in take two, we gave you lots of details about
specific techniques to make the steps more beautiful. - 00:19
- Now we want to do a take three.
- 00:21
- And the take three, the idea is for us to
boil down each of the basic steps,... - 00:27
- ..many of the basic steps
into the essence,... - 00:29
- ..the couple of concepts that make
that step special for us. - 00:34
- And we’re going to start with the basic,
of course. - 00:37
- I think, for me, the basic is about letting
the leader move through me... - 00:46
- ..and waiting, being together at an angle
towards the leader. - 00:50
- And, for me, it’s much the same.
- 00:52
- It’s about facing and then about
the sense of through. - 00:57
- So, if we just show that.
- 01:11
- And each one of these sections, each of the techniques
that we taught in the take two,… - 01:19
- ..really can come, almost all of them,
can come from these two ideas. - 01:24
- Two and a half ideas.
- 01:26
- So, for example, I say, for the leaders, to pull
your right hip back so that… - 01:31
- ..you can face your partner.
That’s about facing. - 01:33
- We say to bring the follower
to the ball of her foot. - 01:35
- That’s so that - that enables the leader to go
through her and the follower to stay forward. - 01:41
- Watch my foot in the cross.
- 01:43
- When we get to the cross,
I stay all the way forward on my foot, here. - 01:48
- And then he pulls me back.
- 01:53
- And that’s about the facing and it’s about
my staying and letting him move me. - 02:00
- For both people, for the followers, I want you to think
you really work to get in front. - 02:06
- Sometimes the leader arcs away from you.
- 02:07
- This is good. This is cool.
- 02:09
- The leader will go - here’s my lovely partner
and I’m looking over there. - 02:14
- Which is not right.
- 02:15
- No no, I should be looking over here.
- 02:18
- And see she smiles.
- 02:20
- Yes.
- 02:21
- And so, when I go forward, you see that I'm at her
rather than at Sally over her shoulder. - 02:30
- And if he's not, even in the cross,
when I cross, to the cross… - 02:34
- ..part of the purpose of it, I think,
is to get me back in front of him. - 02:39
- So he’s on my side and when I cross,
I’m back in front of him. - 02:46
- But, as we go through all these nitpicky details,
I want you always to come back to the same thought. - 02:50
- This is about facing and going through.