Membuat Kemungkinan Kerja - Kemungkinan Tango: Tampilannya

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Satu hal yang terjadi saat Anda menjadi lebih serius yang benar-benar keren dan sangat menyenangkan adalah Anda mulai memahami penerapan apa yang Anda pelajari dalam menari di bidang kehidupan lainnya. Terkadang, ini benar-benar eksplisit, seperti video ini. Atau terkadang, ini tentang menjadi pembicara publik yang lebih baik dan menggunakan tubuh Anda untuk mempengaruhi penonton atau belajar bagaimana menjadi lebih menyayangi. Pada waktunya, ini juga mempengaruhi bagaimana Anda menjalani hidup Anda (dengan cara yang jelas dan juga dengan cara-cara indah yang indah).

Kemungkinan

Nama artis:
Zully Goldfarb
Judul lagu:
A Shpilgueton
Judul album:
De Donde Viene Mi Voz
Situs artis:
http://www.zully.com.ar/

Tangos kompleks dinyanyikan di kedua bahasa Spanyol dan yiddish dengan keaslian yang besar.

Dari situs artis tentang satu album: Menceritakan kisah piringundines, dari kabaret Jerman ke tempat tango Buenos Aires, dan dengan tango itu akan membawa kita melewati sejarah takdir yang disilangkan, dan kesalahpahaman, cinta, dan lupa bahwa kita mengidentifikasikannya sebagai orang Argentina. .

00:05
This is the tango look.
00:12
Well, not really.
00:13
Eh, it could be.
00:15
The idea is to take anything that you do, and then make it look tango.
00:20
Nancy: So what would that be?
David: So, for example, let's take
00:24
An example we had before, just being silly, where we had her bicycle.
00:28
And then I'd bicycle.
00:30
Why are you calling that silly? I think it's very serious.
00:33
I love you.
00:34
But if I do it like this, then, you know,
00:35
She goes, I go, she goes...
00:39
That's, eh, OK.
00:41
But in the upper body - nothing special is happening, so...
00:46
So, we do the same thing, but notice first our hips come very subtly towards each other.
00:51
And then, as I lead her, in my upper body I'm towards her, and she's towards me.
00:55
So, in the face, there's this look.
01:00
It's this slight angling towards.
01:02
So, it's a slight angling towards, I'm not here in his face, into his eyes,
01:05
I'm trying to get into his face, but not quite succeeding.
01:09
And I realize, I forgot,
01:11
I was going to give an example of lead from our previous exploring.
01:15
So, I'll say that in this chapter, and it can be an extension of the earlier chapter.
01:19
So, when I'm leading her to do that bicycle,
01:21
Right here, I'm saying to her:
01:24
"Come in, up, over".
01:25
So, if you watch this hand, it goes in, up, over, in, up, over.
01:32
David: So, it was led, actually, this time.
Nancy: It was.
01:35
It was, I didn't really know what he wanted me to do in the beginning.
01:38
And it can be any direction, this look.
01:40
So, I could be facing away from her, right? So we could be here,
01:44
Give me your hand too, just in case.
01:46
So we could be here, and then you'll see my upper body, my upper back goes back to her.
01:51
So, even though the face is away, I say, "Oh".
01:54
Instead of saying, "Oh".
01:56
Here, I'm just away.
01:58
Here, I'm away, but about her.
02:03
So, wherever you are, I want you to think,
02:05
That it's not that you're just away, it's that you're - away.
Seri:
Membuat Kemungkinan Kerja
Tag:
Menengah, Teknik, Gaya
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