- 艺术家姓名:
- Kristina Olsen
- 歌名:
- A Brusa
- 相册标题:
- In Your Darkened Room
- 艺术家网站:
- http://www.kristinaolsen.net
从网站上的一个评论：奥尔森，一个经常参加澳大利亚民间节日的巡回演出，她是最有吸引力的。这是她的歌曲和聊天故事的坦率，那些血液中血液不能与她相处的人不可能。她充满喉咙的声音和清脆的吉他提供了多种多样的题材，如作物除尘和卖淫，而关于生活绘画课的透明纱线介绍了一个女人的真理。从她的新CD出来在你的黑暗的房间，标题轨道到一张专辑，包含她最好的作品，一个黑色的霜冻她平常的温暖和幽默。
- 00:04
- This next one is harder yet. And it's really all about timing.
- 00:07
- Because we can switch back and forth who has the lead. And, who gets to choose to do stuff.
- 00:12
- And that's really fun.
- 00:15
- So, for example, you'll often see people do things, like...
- 00:29
- D: Where we just go back and forth. She drags me, I drag her. She traps me.
N: Or, I could decide arbitrarily, that I wanted to trap, to come over.
- 00:37
- And then, I grab her back. And she drags it back. And then, she goes to walk over, and I don't let her. Surprising her slightly.
- 00:45
- Not just slightly.
- 00:48
- But what makes that work?
- 00:50
- Timing, and intention.
- 00:54
- So, when we want to do something like that, it has to be clear what we want to ourselves.
- 00:58
- And we have to catch it, before the leader or follower, before our partner has a chance to start on something else.
- 01:03
- D: Ask me, what makes that work.
N: What makes...
D: Timing!
- 01:06
- Right, so it's, sort of, the same thing. You just catch it right before.
- 01:09
- So, let's, in slow motion, watch the feet.
- 01:11
- N: You've set me up, David.
D: Oh, absolutely.
- 01:14
- So, for example. I drag her; bang! Then she drags me back.
- 01:20
- D: If I drag her, and I already move her body, it's too late.
N: Unless, I catch it at the right time.
- 01:25
- D: So, if I'm dragging her, she goes... And back. You see, it doesn't get there.
N: So, I caught him before he finished.
- 01:30
- Just that tiny bit, before he finished, which is what let me do it.
- 01:34
- Now, second thing. Is it, sort of... It's sort of fun, if you make sure, that... you vary it. Right?
- 01:40
- So, if he drags your leg, you might do something a cousin, to drag him back. Or, you might... I'm the comedian, when I dance.
- 01:46
- N: No.
D: Not always, but sometimes.
- 01:47
- So, for example, I like this idea, where you take expectations. You know, she walks over for a freno, you stop it.
- 01:53
- Or, for example, there's a drag. She drags you; do-do-do; you drag her. At some point, maybe you pop up, after she would drag.
- 01:59
- So, when you feel the partner coming, especially, as a lady... Guys will do something... It's easy to mess with them.
- 02:05
- I shouldn't say that, it's terrible. It's easy to mess with them. So, once you're in the middle of this, and it's cool, then, do the unexpected.
