Milonga introdutória Vocabulário - Passos lineares e mudanças de peso

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Música
Transcrição
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  • Este deve ser o principal componente de sua milonga.
  • É muito fácil para ele para olhar como você está apenas arrastando por aí sem rumo.
  • Tenha em mente que cada uma destas etapas torna-se muito claramente definida - que seus passos não desviar 5 graus. Quando você muda de peso no lugar, os pés realmente são exatamente juntos. E, se não forem, verifique se este é de propósito.
  • Uma maneira que você pode trabalhar neste precisão em seu próprio país é usar uma placa como um fio-guia.
  • Alternativamente, você pode ter um amigo relógio. Ressaltamos recebendo esse feedback, porque é muito comum que as pessoas pensam que estão fazendo uma coisa e, na verdade, estar fazendo algo sutilmente diferente do que a sua intenção.
Nome do Artista:
Electrocutango
Título da música:
Retrolonga
Album Title:
Felino
Website de artista:
http://www.indris.net/electrocutango

(A partir do site): Sverre Indris Joner, um tanguista notável criativo, tem com Electrocutango obtido uma versão sólida, impecável e refinada do novo tango neste século 21. Este admirável norueguês pianista, compositor, arranjador e diretor demonstra que o tango ainda pode manter sua jovem coragem estética e desafiadora como nos velhos tempos.

00:04
So, one of the really cool things about milonga is that you don't have to do a lot.
00:08
I remember when I was first learning salsa, and then later on we were doing bachata.
00:11
I was so relieved, as a beginning leader to do bachata, because you didn't really do anything.
00:15
And that's sort of like this chapter
00:18
Where really, all you need to do milonga is walk forward, back, side, and change weight.
00:23
Actually, that's true of tango too, but...
00:25
Yeah, that's true of tango too, but it's even more true of milonga.
00:27
So, we're going to do a brief demo, and then we'll talk about it.
00:36
And then the music ends. It'll come back.
00:51
And you'll see that what we're doing is we're walking side, and changing.
01:01
Walking forward, and changing, or going back, change, forward, change.
01:05
But they're all sort I'm going to call, "linear steps", right?
01:09
I can go side, or side... or side, or change, or change.
01:14
And, so, you can almost get a six sided die, roll it, and you're going to say, "What direction I'm going to go?"
01:18
Forward, or back, or side, and then, eventually,...
01:21
Or weight change, that doesn't come to six.
01:23
Oh, we count weight change, maybe, more than once.
01:28
I don't know if this analogy is working.
01:30
You get a four sided dice at a gaming store.
01:33
Ha, there we go.
01:34
And, you roll it, and it says, "forward", and so you go forward for awhile, and then you do some changes, and you go side, and maybe change.
01:43
Or, maybe, it says, "back", and change.
01:45
But, as leaders, you don't want to go back too often, because you'll go back against line of dance. So, at most, one step.
01:54
So, if I go back, I would usually always change weight immediately.
02:00
And so, this looks very varied, and the trick, as we do this, is...
02:07
David: How do I say this? If you have to think about it, it's too late. Because the music - bam!, it's fast.
Nancy: Right. It's very fast.
02:12
But, it not only looks varied, it feels fun.
02:15
So, this is really more of a demo than explicit instructions. But I'm going to give you homework.
02:19
And, in your homework, for the leaders, I want you to think about...
02:24
Just one combination: go side-change, side-change, side-change.
02:28
Or, go forward, forward, change, back, change, forward.
02:32
Or whatever, you know, just some steps and then some weight changes.
02:35
And, for the followers... Unfortunately, the followers, you need a partner for this,
02:40
I want your leader just to grab your hand. Here, she's my leader right now.
02:45
And she's going to pull me, and I just sort of push, or take me in any direction.
02:51
Gee, moving David around is fun!
02:56
So, on that note...