創造魔法 - 做你的整個身體
- 藝術家姓名:
- Ruth Roshan
- 歌名:
- Last Drive In Marseilles
- 相冊標題:
- Tango Noir
- 藝術家網站:
- http://www.ruthroshan.com
從網站：在探戈Noir的第二個所有原創專輯“親愛的...保持自己”，露絲使用歌舞表演，探戈，哈瓦內拉，華爾茲，露絲的節奏成功地註入了這張專輯的氣氛，在三十年代柏林同時創造出新的懷舊音樂。這是一個非常可愛和漂亮的專輯。
- 00:20
- So, I think it's fitting to start with a foot shot
- 00:23
- In a video that's going to talk about doing things with your whole body.
- 00:28
- So, we say this often, because it's really important. And it is, definitely, a metaphor for life: when you do something - mean it.
- 00:35
- When you want to do something in dance, dance with your whole self.
- 00:40
- And so, I'm going to just throw a lot of different things out there.
- 00:43
- D: I tell people, "I want you to walk". And sometimes, people walk like this. I'm going to exaggerate.
N: There'll be so many people walking things. - 00:50
- No, this is not that bad. This is a good... a "good" walk. Not a great walk, but a good walk.
- 01:00
- D: Yeah, maybe good is to strong. But it's not bad.
N: I think good is too strong.
D: But it's not bad. - 01:08
- And so, instead of that, I want you to say...
- 01:13
- N: See how he engaged his whole body to move?
D: So that the beginning of this walk is not flat, "Oh, I'm walking". - 01:20
- It's... "Oh, I'm walking".
- 01:25
- And, for what he's really doing, he's exaggerating a little bit, in order for you to be able to see it.
- 01:29
- And do it... Do it like you'd really do it. He's got a beautiful regular walk.
- 01:35
- K, see? That moment of engagement with his body?
- 01:41
- Or, for example, there's the wrap. And, if I'm the leader, and I'm asking her to wrap around me, so there's that hook,
- 01:47
- I say... We go, I stop her, and I say... And, we hook.
- 01:53
- And I don't want you to pay attention to the hook in the foot, which is the instinct.
- 01:56
- I want you to pay attention to the way the upper body is engaged. The way the upper body goes...
- 02:00
- D: And, we hook.
N: So, see, right here.
D: So, there's this. - 02:05
- D: There's, actually... There's all of this. There's everything. There's this.
N: And that was our point. - 02:11
- D: If... So, once in a while, I'm silly in class.
N: Nah.
D: Almost never. - 02:16
- D: And...
N: David's never silly.
D: And, I'll say... - 02:24
- You don't want to have your default kiss be like this. Where it's only your lips.
- 02:30
- I mean, can you imagine kissing someone, and this is what they did?
- 02:33
- I mean, it's something. But, I mean, let's imagine you're deeply, romantically, passionately involved.
- 02:37
- And that's all you do. That's no fun.
- 02:39
- Almost, I'd say, that the kiss should be... And this is not true, but I'm going to say it, anyway.
- 02:45
- D: Almost I'd say the kiss should be the least important part. That, before that, you've got...
N: Oh, the build-up. - 02:53
- Right? And there's all of that. It's not, "muah", you're done.
- 02:56
- And that build-up, where does that come from? Well, if you watch, in my whole body, I'm going, "Ah!".
- 03:06
- And so, all of this is happening. And it's not about the lips. It's about everything.
- 03:11
- Everything is always about everything.
