- 藝術家姓名:
- Anibal Troilo
- 歌名:
- A Fuego Lento
- 相冊標題:
- A Fuego Lento
Anibal Troilo有一種更抒情的風格，是探戈音樂的“黃金時代”（20世紀30年代中期到20世紀50年代中期）。在Milongas聽到的更常見的人之一。
你的第一場舞蹈 - 體重變化和行走
- 人們常說（這也是完全正確的），即使在探戈最重要的元素中，步行和體重變化也是最重要的。
- 對我們來說，這是我們舞蹈中最令人滿意和最愉快的方面之一。
- 需要很長時間才能「得到」。
- 但思考的時間是如此寶貴： 「一位富有的老太太決定去非洲進行一次攝影之旅。她帶著她忠實的寵物貴賓犬作伴。有一天，貴賓犬開始追逐蝴蝶，不久它就發現自己迷路了。
因此，當他四處閒逛時，他注意到一隻豹子迅速朝他的方向駛來，顯然是想吃午餐。老貴賓犬想：「哦，哦！我現在已經深陷大便了！
然後他注意到附近地上有一些骨頭，立刻坐下來背對著正在靠近的貓咀嚼骨頭。正當豹子準備跳躍時，貴賓犬大聲叫道：“小伙子，真是一隻美味的豹子，不知道這附近還有沒有。”
豹子聞言，頓時停下了攻擊，臉上露出驚恐之色，溜進了樹林裡。 「哇，」豹子說。 “很接近了。那隻貴賓犬差一點就抓住了我。”
同時，一隻在附近樹上觀察整個場景的猴子認為，他可以充分利用這些知識，並用它來保護自己免受豹子的侵害。所以，他走了。
但貴賓犬看到他以極快的速度追趕豹子，覺得一定出事了。猴子很快就追上了豹子，洩漏了秘密，並與豹子達成了一筆交易。豹子因為被愚弄而勃然大怒，說道：“猴子，過來，跳到我背上，看看那隻狡猾的狗會發生什麼。”
現在貴賓犬看到豹子背著猴子來了，心想：“我現在該怎麼辦呢？”但這隻狗並沒有逃跑，而是背對著攻擊者坐下來，假裝自己還沒看到他們……就在他們離得足夠近，可以聽到的時候，貴賓犬說……
那隻蠢猴子在哪裡？我半小時前就送他走了，去給我帶來另一隻豹子！ 」
- 順便說一句，深刻的事情，你不會有一天醒來就在那裡，你現在就深刻了。你工作、辛苦、快樂，一段時間後，你會獲得更大的深度。你工作，你辛勞，你不斷地投入自己，之後，你變得更深刻、更真實，體驗也變得更加美妙。最酷的部分是這個過程不會結束。
- 00:07
- So this chapter is about walking and weight changes,
which are some of the most profound, - 00:11
- This is what we always come back to.
- 00:13
- And I want you to think about the weight changes especially,
- 00:16
- But eventually once you develop
an increasing mastery of the walking, - 00:19
- That this is like the conversations
that go late on into the night. - 00:23
- You're talking with a friend and it's just - you're in this zone of
oneness and bonding and awesomeness. - 00:29
- And that is what a weight change is like.
- 00:30
- N: That's really good.
D: Yea, yea. - 00:31
- That's exactly what it is really like.
- 00:33
- It's really that profound.
- 00:35
- And you do it through the touch,
instead of through the words. - 00:40
- That's one thought.
- 00:41
- A second thought is that you can make a whole dance
with just walking and weight changes. - 00:44
- And when you add in these other elements; the front and back ochos
and the basic, - 00:49
- Then you have sort of more than you need
for a whole dance. - 00:51
- And later on in this video we're going to show you,
- 00:53
- making a whole dance with just walking
and weight changes. - 00:55
- So, for the weight change I really want you to think
that you take your time. - 01:04
- We're here, I'm going to compress in.
She's going to match me and be strong. - 01:09
- I'll take a breath.
- 01:13
- And then I go up...
- 01:16
- Over...
- 01:18
- And down.
- 01:20
- And I really take my time.
- 01:21
- If we do this close to the camera,
it becomes this. - 01:25
- You hold your partner and you go...
- 01:36
- And so that makes it very real.
- 01:38
- It sounds silly but women really do swoon for this,
if you do it slowly enough. - 01:42
- For the men it's excruciatingly slow when you start.
- 01:45
- And however slow you think you can go,
it's not slow enough for the women. - 01:49
- But when you get the guts, and it really is,
when you get the guts to do it... - 01:53
- The conviction...
- 01:54
- It's very rewarding.
- 01:56
- And now for walking, for now I want you to think
you can go in any direction. - 02:00
- So we can go, him forward,
her back or weight change. - 02:05
- Her forward, him back
or weight change. - 02:08
- We can step side or side or weight change
or weight change. - 02:15
- Right, so we can go in any direction.
- 02:16
- And if you put these together...
- 02:17
- All of a sudden you can make a dance
with only that. - 02:19
- Walking forward, back,
side or weight changes. - 02:21
- And that would look something like this.
- 02:46
- And as you are watching this
you don't say to yourself, - 02:48
- "Man that's so boring," or "Man that is so repetitive."
You say "Oh that's cool." - 02:53
- It doesn't take much to make a dance.
- 02:54
- And when you have the good connection and have more technique
with the walking and the weight changes... - 03:01
- It can really be a very rich experience.
- 03:04
- So think about how this is wonderfully cool and work.
- 03:10
- Walking is really hard. But when it works together
and you're moving as one body, it's really fun.
