İmkanları Çalıştırma - Tango Olanakları: Bak

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Gerçekten daha serin ve daha eğlenceli hale geldiğinizde olan bir şey, dans ettikleri şeyin diğer yaşam alanlarına uygulanabilirliğini anlamaya başlamanız. Bazen, bu video gibi gerçekten açıktır. Veya bazen daha iyi bir kamu hoparlörü haline gelmek ve vücudunuzu izleyicileri etkilemek veya daha fazla sevecenlik kurmak için kullanmaktır. Zamanla, aynı zamanda hayatınızı nasıl yaşadığınızı (belirgin şekillerde ve ayrıca harika harika yollarla) etkiler.

olasılıklar

Sanatçı adı:
Zully Goldfarb
ŞARKI ADI:
A Shpilgueton
Albüm Başlığı:
De Donde Viene Mi Voz
Sanatçı Web Sitesi:
http://www.zully.com.ar/

Kompleks tangolar hem İspanyolca hem de yiddiş olarak söylenir ve büyük özgünlükle söylenir.

Sanatçının web sitesinde bir albüm hakkında: Alman kabarelerinden Buenos Aires tango mekanına kadar olan piringundines hikayesini anlatıyor ve tangoyla bize çapraz kader öyküsü, yanlış anlamalar, sevgi götürüyor ve biz Arjantinliler olarak tanımladığımızı unutuyoruz .

00:05
This is the tango look.
00:12
Well, not really.
00:13
Eh, it could be.
00:15
The idea is to take anything that you do, and then make it look tango.
00:20
Nancy: So what would that be?
David: So, for example, let's take
00:24
An example we had before, just being silly, where we had her bicycle.
00:28
And then I'd bicycle.
00:30
Why are you calling that silly? I think it's very serious.
00:33
I love you.
00:34
But if I do it like this, then, you know,
00:35
She goes, I go, she goes...
00:39
That's, eh, OK.
00:41
But in the upper body - nothing special is happening, so...
00:46
So, we do the same thing, but notice first our hips come very subtly towards each other.
00:51
And then, as I lead her, in my upper body I'm towards her, and she's towards me.
00:55
So, in the face, there's this look.
01:00
It's this slight angling towards.
01:02
So, it's a slight angling towards, I'm not here in his face, into his eyes,
01:05
I'm trying to get into his face, but not quite succeeding.
01:09
And I realize, I forgot,
01:11
I was going to give an example of lead from our previous exploring.
01:15
So, I'll say that in this chapter, and it can be an extension of the earlier chapter.
01:19
So, when I'm leading her to do that bicycle,
01:21
Right here, I'm saying to her:
01:24
"Come in, up, over".
01:25
So, if you watch this hand, it goes in, up, over, in, up, over.
01:32
David: So, it was led, actually, this time.
Nancy: It was.
01:35
It was, I didn't really know what he wanted me to do in the beginning.
01:38
And it can be any direction, this look.
01:40
So, I could be facing away from her, right? So we could be here,
01:44
Give me your hand too, just in case.
01:46
So we could be here, and then you'll see my upper body, my upper back goes back to her.
01:51
So, even though the face is away, I say, "Oh".
01:54
Instead of saying, "Oh".
01:56
Here, I'm just away.
01:58
Here, I'm away, but about her.
02:03
So, wherever you are, I want you to think,
02:05
That it's not that you're just away, it's that you're - away.
Dizi:
İmkanları Çalıştırma
Etiketler:
Orta düzey, teknik, stil
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