- Nome do Artista:
- Gideon Kremer
- Título da música:
- Celos
- Album Title:
- Hommage a Piazzolla
- Website de artista:
- http://www.kremerata-baltica.com/
(A partir do site): Kremerata Baltica, uma orquestra de câmara, foi criada em 1997 pelo renomado violinista Gidon Kremer, que atua como diretor artístico da orquestra e violinista a solo. A alta qualidade artística do conjunto é o resultado da excepcional talento dos músicos individuais e abordagem inovadora da Kremer ao repertório.
- 00:05
- So, in the previous chapter, we went over some fundamentals.
- 00:08
- And, we gave an example of one lift. Sort of the easy lift, if you can say there's a lift that's easy.
- 00:15
- Here, though, I want to be... make you aware, that there's a lot of freedom.
- 00:19
- So, what happens is people freeze. You pick someone up, and all of a sudden, the girl can't move.
- 00:23
- Or guys, they're like this, "OK, I've lifted her, now what?". Which is not so good.
- 00:29
- So, the first point I want to make, is that, ladies, when you're in the air, you can do a lot of cool stuff.
- 00:35
- So, for example, just pick her up, and... move your legs in cool ways.
- 00:42
- Move your backs, breathe. Thank you, that's beautiful.
- 00:45
- Right? So you can do a lot of things. You don't have to be a frozen statue.
- 00:49
- And, likewise, for the guys, if I ask you to dance by yourself, you can be, like, "Oh, look at me, I'm so good! Yeah!"
- 00:56
- And then, you pick someone up.
- 00:59
- So, remember, for you too, that you have freedom. So, for example, if he picks her up, he can walk side to side. Give it a go.
- 01:05
- He can walk around. He can go down. he can go up.
- 01:12
- So, there's a lot of freedom of movement.
- 01:14
- So, let's take that, and let's modify that, step we did in the previous chapter.
- 01:19
- So, we're going to do the exact same thing, but we're going to say, "Well, you know what, she can move".
- 01:23
- So, when she comes up, she'll have: up, slow, and it'll take time. And at the same time, he can move.
- 01:29
- So, he's just going to do a triple step to the side.
- 01:38
- Right, thank you.
- 01:39
- And then, we'll say, "Well, you know what? That's not it". So, starting from here again,
- 01:44
- Not only can he move, and she move, they can also...turn. He can also turn. So, we're going to have you do a slight turn.
- 01:51
- Scoot forward, a little bit. There we go.
- 01:53
- And give it a go. Same thing, turning to your left.
- 02:02
- OK.
- 02:04
- And, what's more, let's say, that... if you can do it to one side, you can do it to the other.
- 02:09
- And so, we'll take this "simple" sit, and we'll make it a complicated one.
- 02:14
- Just by adding a little movement, a turn. We'll do the other side. Here, do other side.
- 02:28
- And then, you sit her down.
- 02:34
- So, the point, is that...
- 02:41
- When you think about lifts, people's instinct is to freeze, and to think that a lift is not dancing.
- 02:46
- "A lift is a lift, and oh, I'm doing this physical effort", and they stop dancing. Which is the complete wrong way to think of it.
- 02:51
- Your tricks are still dance. And they're still beautiful dance.
- 02:54
- And you want to think, that they have the same texture, and the same freedom, that you have in all of your other movement.
- 02:59
- And if you do this, then, all of a sudden, instead of having those cheap lifts, like those other folks, you'll have amazing lifts.
