Elementos intermédios - Embrulho

Please share the site on Facebook.
Please share the site on Facebook.
Comentários
Música
Transcrição
Etiquetas

Quando você dança, sabemos que a dança é também a comunicação (e não apenas falando). Da mesma forma que você pode dizer "o que você tem para o jantar?" e dizer "eu te amo", ou dizer a mesma coisa e dizer "Eu preferiria não estar falando com você", você também pode dizer um monte de coisas diferentes quando você dançar tango. Quando você faz o papel de embrulho, que é particularmente evidente como você pode se comunicar. Você pode fazer o envoltório de uma forma que é psicologicamente perto, mas não necessariamente romântica; você pode fazê-lo de uma forma que diz que "eu sou sobre a dança, mas isso é tudo o que eu estou a ponto", você pode fazê-lo de uma forma que diz: "Eu quero você agora".

Eles estão bem. A coisa é, nós não queremos você para dançar mudo, onde você não disse nada.

Nome do Artista:
Julia Zenko
Título da música:
Balada Para Un Loco
Album Title:
Tango Por Vos
Website de artista:
http://www.juliazenko.com.ar/eng.htm

Um dos nossos cantores favoritos do dia moderno.

00:05
Now we’re going to show you a wrap.
This is an iconic tango move.
00:29
And in this wrap...
00:31
..what the leaders do is, you want to hook
with your right ankle behind her ankle.
00:34
So we take a large sidestep.
00:37
And likewise followers,
you’re doing the same.
00:39
You take this sidestep
mirroring him and then
00:41
he’ll hold you in this
lunge line - leaders.
00:43
Until you’re here holding her down
in this lunge line-
00:46
And once again we’re just waiting.
00:48
Yes. Notice for the leaders,
I’m going to turn my left foot out...
00:52
..so I can shift over
even as with my arms...
00:55
..I’m holding her in place,
turning my body away...
00:57
..so that I can hook with my right leg.
01:00
And followers, you’re just waiting
and being magnificent.
01:02
So that’s a really big deal.
01:03
The leaders need to understand that
the followers will wait..
01:06
..however long they need to so that
they be in a perfect position for this.
01:11
Right?
01:12
Right.
01:15
And now I shift my body over,
but I don't - not hers.
01:17
I turn my hips away but not hers.
01:19
And then there’s plenty of time to hook
with my ankle behind hers.
01:24
And then I shift her over her right leg
and lift up or down.
01:31
And when I’m saying the word up or down,
up or down...
01:33
..it’s not my voice that’s leading her to lift her leg up.
N. No
01:36
So if you look at my right arm,
I mean verbally it does work. It’s just not the goal.
01:42
If you look at my right arm,
I’m going to exaggerate.
01:53
David
01:55
The bottom line is his arm,
his right arm controls my free leg.
02:00
..and he’s going to me a very little idea...
02:03
and I have to give him a lot
because he gave me a little.
02:06
And, a point I would like to make is
that, for followers…
02:11
..so this can be more invasive
or less invasive.
02:13
Right.
02:13
So you can be madly, passionately in love or
you can be like: he's sort of okay.
02:17
And I’ll show you both.
02:21
So this is going to be the guy’s leg,
here hooked around mine...
02:25
..and when I go to rub up adjusting his neck,
you’ll see at the bottom...
02:32
..my leg is along his and as it comes up,
it comes perpendicular.
02:38
From another angle, you’ll notice that I am staying
straight up as I do this.
02:44
And now, if I’m not that comfortable
with my very metallic partner...
02:49
..I might drag up like this.
02:52
And you’ll see that I’m not really
touching the leg very much.
02:55
N: Or at all.
D:Or at all.
02:57
On the other hand, if we’re like an item...
03:00
..it might be...
03:05
..and you know, you can’t see the blush
for the metallic sheen.
03:11
So you can do that at home.
03:13
But what’s more the point is that
you can do it many ways.
03:17
So some steps we’ll do will be
more personal or less personal.
03:21
And I don’t want you to think that,
“Oh tango has to be this and it invades your space.”
03:26
So there are two things.
03:27
One thing is that your sense of personal space…
03:30
..to some extent comes from inside.
03:32
But there’s a second thing which is,
you can adjust steps...
03:35
..to make them more or less personal.
03:38
So if we show this one last time.